Jump to content
Nova Caps is a striking and globe-trotting editorial typeface that steals inspiration from Roman inscriptions and Art-Deco architectural lettering.

Search the Community

Showing results for tags 'bergerhausen'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


The Typography.Guru Forums

  • Public Typography Forums
    • Talk
    • Font Identification
    • Font Downloads
  • Exclusive to Members
    • Type Design Forum
    • Letterpress Forum
    • Calligraphy/Lettering Forum
    • Show
    • Internal
    • Coffee Shop

Categories

  • Artisanal workshops & studios
  • Museums & Libraries
  • Apps
  • Education
  • Organizations
  • Online Typography Resources
  • Educational Video Channels
  • Typography Books
  • Magazines
  • Publishers

Categories

  • Link suggestions
  • Newsletter Archive (1-99)
    • Typography Weekly #1
    • Typography Weekly #2
    • Typography Weekly #3
    • Typography Weekly #4
    • Typography Weekly #5
    • Typography Weekly #6
    • Typography Weekly #7
    • Typography Weekly #8
    • Typography Weekly #9
    • Typography Weekly #10
    • Typography Weekly #11
    • Typography Weekly #12
    • Typography Weekly #13
    • Typography Weekly #14
    • Typography Weekly #15
    • Typography Weekly #16
    • Typography Weekly #17
    • Typography Weekly #18
    • Typography Weekly #19
    • Typography Weekly #20
    • Typography Weekly #21
    • Typography Weekly #22
    • Typography Weekly #23
    • Typography Weekly #24
    • Typography Weekly #25
    • Typography Weekly #26
    • Typography Weekly #27
    • Typography Weekly #28
    • Typography Weekly #29
    • Typography Weekly #30
    • Typography Weekly #31
    • Typography Weekly #32
    • Typography Weekly #33
    • Typography Weekly #34
    • Typography Weekly #35
    • Typography Weekly #36
    • Typography Weekly #37
    • Typography Weekly #38
    • Typography Weekly #39
    • Typography Weekly #40
    • Typography Weekly #41
    • Typography Weekly #42
    • Typography Weekly #43
    • Typography Weekly #44
    • Typography Weekly #45
    • Typography Weekly #46
    • Typography Weekly #47
    • Typography Weekly #48
    • Typography Weekly #49
    • Typography Weekly #50
    • Typography Weekly #51
    • Typography Weekly #52
    • Typography Weekly #53
    • Typography Weekly #54
    • Typography Weekly #55
    • Typography Weekly #56
    • Typography Weekly #57
    • Typography Weekly #58
    • Typography Weekly #59
    • Typography Weekly #60
    • Typography Weekly #61
    • Typography Weekly #62
    • Typography Weekly #63
    • Typography Weekly #64
    • Typography Weekly #65
    • Typography Weekly #66
    • Typography Weekly #67
    • Typography Weekly #68
    • Typography Weekly #69
    • Typography Weekly #70
    • Typography Weekly #71
    • Typography Weekly #72
    • Typography Weekly #73
    • Typography Weekly #74
    • Typography Weekly #75
    • Typography Weekly #76
    • Typography Weekly #77
    • Typography Weekly #78
    • Typography Weekly #79
    • Typography Weekly #80
    • Typography Weekly #81
    • Typography Weekly #82
    • Typography Weekly #83
    • Typography Weekly #84
    • Typography Weekly #85
    • Typography Weekly #86
    • Typography Weekly #87
    • Typography Weekly #88
    • Typography Weekly #89
    • Typography Weekly #90
    • Typography Weekly #91
    • Typography Weekly #92
    • Typography Weekly #93
    • Typography Weekly #94
    • Typography Weekly #95
    • Typography Weekly #96
    • Typography Weekly #97
    • Typography Weekly #98
    • Typography Weekly #99
  • Newsletter Archive (100-199)
    • Typography Weekly #100
    • Typography Weekly #101
    • Typography Weekly #102
    • Typography Weekly #103
    • Typography Weekly #104
    • Typography Weekly #105
    • Typography Weekly #106
    • Typography Weekly #107
    • Typography Weekly #108
    • Typography Weekly #109
    • Typography Weekly #110
    • Typography Weekly #111
    • Typography Weekly #112
    • Typography Weekly #113
    • Typography Weekly #114
    • Typography Weekly #115
    • Typography Weekly #116
    • Typography Weekly #117
    • Typography Weekly #118
    • Typography Weekly #119
    • Typography Weekly #120
    • Typography Weekly #121
    • Typography Weekly #122
    • Typography Weekly #123
    • Typography Weekly #124
    • Typography Weekly #125
    • Typography Weekly #126
    • Typography Weekly #127
    • Typography Weekly #128
    • Typography Weekly #129
    • Typography Weekly #130
    • Typography Weekly #131
    • Typography Weekly #132
    • Typography Weekly #133
    • Typography Weekly #134
    • Typography Weekly #135
    • Typography Weekly #136

Categories

  • Free Font Lists
  • Font alternatives
  • Fonts by topic/style
  • Fonts by region
  • Signage Fonts
  • Fonts by User

Categories

  • How to choose and pair fonts
  • Understanding Kerning & Tracking
  • How to use OpenType in InDesign
  • Font Licensing 101
  • How to use color fonts
  • Variable fonts for graphic and web designers
  • Typography on Apple devices

Categories

  • Hall of Fame
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Job


Location

Found 1 result

  1. Johannes Bergerhausen at TEDxVienna Prof. Johannes Bergerhausen born 1965 in Bonn, Germany, studied Communication Design at the University of Applied Sciences in Düsseldorf. From 1993 to 2000, he lived and worked as a designer in Paris. First he collaborated with the Founders of Grapus, Gérard Paris-Clavel and Pierre Bernard, then he founded his own office. In 1998 he was awarded a grant from the French Centre National des Arts Plastiques for a typographic research project on the ASCII-Code. He returned to Germany in 2000 and, since 2002, is Professor of Typography and Book Design at the University of Applied Sciences in Mainz. Lectures in Amiens, Beirut, Berlin, Brussels, Dubai, Frankfurt, London, Malta, Paris, Prague, Rotterdam, San Francisco, Sofia, Weimar. Since 2004, he is working on the decodeunicode.org project, supported by the German Federal Ministry of Education and Research, which went online in 2005. Semester of research 2007 in Paris. He received many design awards like RedDot, Type Directors Club of New York, ADC, iF, Best German Books and more. In 2011, together with Siri Poarangan, he published »decodeunicode — Die Schriftzeichen der Welt«, a repertoire of the world's 109,242 digital characters. In 2012, he was awarded with the Designpreis in Gold of the Federal Republic of Germany. He is currently working on a digital cuneiform font.
Uberschrift: a typeface with 200 ligatures
×
×
  • Create New...

Important Information

We are placing functional cookies on your device to help make this website better.