Jump to content
Your secret tool for flawless typography – Grab 40% off today!

Search the Community

Showing results for tags 'digital typesetting'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


The Typography.Guru Forums

  • Public Typography Forums
    • Talk
    • Font Identification
    • Font Downloads
  • Exclusive to Members
    • Type Design Forum
    • Letterpress Forum
    • Calligraphy/Lettering Forum
    • Show
    • Internal
    • Coffee Shop

Categories

  • Journal

Categories

  • Artisanal workshops & studios
  • Museums & Libraries
  • Apps
  • Education
  • Organizations
  • Online Typography Resources
  • Educational Video Channels
  • Typography Books
  • Magazines
  • Publishers

Categories

  • Link suggestions
  • Newsletter Archive (1-99)
    • Typography Weekly #1
    • Typography Weekly #2
    • Typography Weekly #3
    • Typography Weekly #4
    • Typography Weekly #5
    • Typography Weekly #6
    • Typography Weekly #7
    • Typography Weekly #8
    • Typography Weekly #9
    • Typography Weekly #10
    • Typography Weekly #11
    • Typography Weekly #12
    • Typography Weekly #13
    • Typography Weekly #14
    • Typography Weekly #15
    • Typography Weekly #16
    • Typography Weekly #17
    • Typography Weekly #18
    • Typography Weekly #19
    • Typography Weekly #20
    • Typography Weekly #21
    • Typography Weekly #22
    • Typography Weekly #23
    • Typography Weekly #24
    • Typography Weekly #25
    • Typography Weekly #26
    • Typography Weekly #27
    • Typography Weekly #28
    • Typography Weekly #29
    • Typography Weekly #30
    • Typography Weekly #31
    • Typography Weekly #32
    • Typography Weekly #33
    • Typography Weekly #34
    • Typography Weekly #35
    • Typography Weekly #36
    • Typography Weekly #37
    • Typography Weekly #38
    • Typography Weekly #39
    • Typography Weekly #40
    • Typography Weekly #41
    • Typography Weekly #42
    • Typography Weekly #43
    • Typography Weekly #44
    • Typography Weekly #45
    • Typography Weekly #46
    • Typography Weekly #47
    • Typography Weekly #48
    • Typography Weekly #49
    • Typography Weekly #50
    • Typography Weekly #51
    • Typography Weekly #52
    • Typography Weekly #53
    • Typography Weekly #54
    • Typography Weekly #55
    • Typography Weekly #56
    • Typography Weekly #57
    • Typography Weekly #58
    • Typography Weekly #59
    • Typography Weekly #60
    • Typography Weekly #61
    • Typography Weekly #62
    • Typography Weekly #63
    • Typography Weekly #64
    • Typography Weekly #65
    • Typography Weekly #66
    • Typography Weekly #67
    • Typography Weekly #68
    • Typography Weekly #69
    • Typography Weekly #70
    • Typography Weekly #71
    • Typography Weekly #72
    • Typography Weekly #73
    • Typography Weekly #74
    • Typography Weekly #75
    • Typography Weekly #76
    • Typography Weekly #77
    • Typography Weekly #78
    • Typography Weekly #79
    • Typography Weekly #80
    • Typography Weekly #81
    • Typography Weekly #82
    • Typography Weekly #83
    • Typography Weekly #84
    • Typography Weekly #85
    • Typography Weekly #86
    • Typography Weekly #87
    • Typography Weekly #88
    • Typography Weekly #89
    • Typography Weekly #90
    • Typography Weekly #91
    • Typography Weekly #92
    • Typography Weekly #93
    • Typography Weekly #94
    • Typography Weekly #95
    • Typography Weekly #96
    • Typography Weekly #97
    • Typography Weekly #98
    • Typography Weekly #99
  • Newsletter Archive (100-199)
    • Typography Weekly #100
    • Typography Weekly #101
    • Typography Weekly #102
    • Typography Weekly #103
    • Typography Weekly #104
    • Typography Weekly #105
    • Typography Weekly #106
    • Typography Weekly #107
    • Typography Weekly #108
    • Typography Weekly #109
    • Typography Weekly #110
    • Typography Weekly #111
    • Typography Weekly #112
    • Typography Weekly #113
    • Typography Weekly #114
    • Typography Weekly #115
    • Typography Weekly #116
    • Typography Weekly #117
    • Typography Weekly #118
    • Typography Weekly #119
    • Typography Weekly #120
    • Typography Weekly #121
    • Typography Weekly #122
    • Typography Weekly #123
    • Typography Weekly #124
    • Typography Weekly #125
    • Typography Weekly #126
    • Typography Weekly #127
    • Typography Weekly #128
    • Typography Weekly #129
    • Typography Weekly #130
    • Typography Weekly #131
    • Typography Weekly #132
    • Typography Weekly #133
    • Typography Weekly #134
    • Typography Weekly #135
    • Typography Weekly #136

Categories

  • Typography Quotes

Categories

  • Typography Videos

Categories

  • Free Font Lists
  • Font alternatives
  • Fonts by topic/style
  • Fonts by region
  • Signage Fonts
  • Fonts by User

Categories

  • Typography Terms Glossary

Categories

  • How to choose and pair fonts
  • Understanding Kerning & Tracking
  • How to use OpenType in InDesign
  • Font Licensing 101
  • How to use color fonts
  • Variable fonts for graphic and web designers
  • Typography on Apple devices

Categories

  • Font List entries

Categories

  • Hall of Fame
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019

Categories

  • Exclusive Content

Product Groups

  • Community support options

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Job


Location

Found 2 results

  1. Hello, (For a school project) I was wondering if anyone knows what the first digital adaptation of the Cyrillic and Armenian scripts were. For Latin I already know that it is Digi Grotesk, but for some reason I can't seem to find what the equivalent was for Cyrillic and Armenian. Thanks in advance!
  2. Many typefaces available to us today are not stand-alone designs, but were introduced as inventive solutions to very specific problems of type manufacture, typesetting restrictions, or printing issues. As those designs become part of the overall typographic landscape, it’s easy to forget how closely connected they are to the original problem, or how much potential there may be to explore solutions to a new problem. Looking at some now-classic typefaces, we’ll see how they turned out the way they did, and hopefully encourage some fresh responses to newer challenges. Dan Rhatigan worked as a designer and typographer for 15 years in Boston and New York before moving to England in 2006 for graduate school at the University of Reading. After receiving his MA in Typeface Design, he spent 7 seven years working with Monotype as researcher, type designer, and eventually Type Director. He now lives in New York City again, where he works as an independent type designer and consultant.
Wayfinding Sans Pro: proven legibility for signage use.
×
×
  • Create New...

Important Information

We are placing functional cookies on your device to help make this website better.