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Found 4 results

  1. Submissions are open for the 2021/2022 edition of the GRANSHAN Competition, that seeks to recognise the most notable typefaces for individual scripts other than Latin as well as multiscript families.
  2. We ask the type and design industry • to actively include more BIPOC • to stop using the term Non-Latin • to diversify education • to challenge the practice of designing for scripts we did not grow up reading and writing
  3. “Chinese typography is not easy to tackle, but we believe that, by more self-initiated and open research, we are able to address our challenges under a global perspective and invite more discussions and breakthroughs to the field. So here is a three-volume collection of our on-going research and dialogues about typography and design in China, including its history and development, conventions and contemporary practice, and working in transcultural contexts.” Shanghai Type: a slice of modern Chinese type history Transcultural Type Design: a dialogue from China Kǒngquè: restoring the mindset of Chinese typesetting
  4. Type Directors Club Type Drives Culture Conference 2019, SVA Theatre, New York City, March 1, 2019 In this video, TDC Medalist Fiona Ross presents the keynote address and discusses her long career focused on affording visible voices to global linguistic communities.
Canape—a cosy type family from FDI Type …
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