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<rss version="2.0"><channel><title>Typography Weekly: Typography Weekly #67</title><link>https://typography.guru/weekly/arc/no67/?d=10</link><description>Typography Weekly: Typography Weekly #67</description><language>en</language><item><title>Registration for TYPO Labs 2018 is now open</title><link>https://typography.guru/weekly/arc/no67/registration-for-typo-labs-2018-is-now-open-r576/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_11/typolabs.jpg.9c2cf552427acdc91b73b6fb71898dec.jpg" /></p>
<p>“Created for developers by developers, the third TYPO Labs will cover the full stack of font developments, including OpenType Variation, CJK deployment and type challenges in the field of VR and AR.”</p>]]></description><guid isPermaLink="false">576</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item><item><title>Neue Helvetica World</title><link>https://typography.guru/weekly/arc/no67/neue-helvetica-world-r575/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_11/248408.png.531b97c7e488ccffb40ab29749b08414.png" /></p>
<p>Neue Helvetica World covers the pan-European area (extended Latin alphabet, Cyrillic and Greek) as well as Arabic, Hebrew, Armenian, Georgian, Thai and Vietnamese.</p>]]></description><guid isPermaLink="false">575</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item><item><title><![CDATA[Teddy by Fust & Friends is on Fontspring and 66% off]]></title><link>https://typography.guru/weekly/arc/no67/teddy-by-fust-friends-is-on-fontspring-and-66-off-r574/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_11/teddy_fp-950x475.png.830bcbcaacecd93b3ff30f37d4c42e45.png" /></p>
<p>Teddy by Minjoo Ham is a script-style display font in three layers, plus a stand-alone “Open” variety and a set of multi-language catchwords.</p>]]></description><guid isPermaLink="false">574</guid><pubDate>Thu, 09 Nov 2017 09:18:52 +0000</pubDate></item><item><title>What&#x2019;s in a name? The perception of &#x201C;Pro&#x201D;</title><link>https://typography.guru/weekly/arc/no67/pro-in-font-name/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_11/pro.png.480237cb3471483f99057bbcb872170b.png" /></p>
<p>What does it mean to you when you see a font with “Pro” in the name? A Medium article by Mary Catherine Pflug. </p>]]></description><guid isPermaLink="false">573</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item><item><title>IBM has a new corporate type family and you can get it for free</title><link>https://typography.guru/weekly/arc/no67/ibm-has-a-new-corporate-type-family-and-you-can-get-it-for-free-r572/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_11/ibmfont.jpg.b41188d931eb7c599afd513753ff52fe.jpg" /></p>
<p>A super family (sans, serif, mono) with 16 styles each, designed by Bold Monday with Michael Abbink. Available under the Open Font License. </p>]]></description><guid isPermaLink="false">572</guid><pubDate>Sun, 05 Nov 2017 07:44:35 +0000</pubDate></item><item><title>Adobe #ColorFontWeek</title><link>https://typography.guru/weekly/arc/no67/adobe-colorfontweek-r571/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_10/colorfonts.gif.8be3145aeb45e447159447741909ebdb.gif" /></p>
<p>Beginning this week, Adobe is partnering with Fontself to showcase the possibilities of color fonts. </p>]]></description><guid isPermaLink="false">571</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item><item><title>An introduction to software for type design</title><link>https://typography.guru/weekly/arc/no67/an-introduction-to-software-for-type-design-r570/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_10/07abe00e746bcca75c6403af09cdc05a.jpg.2541b9ad3010c0baefc514ebb4dfde6c.jpg" /></p>
<p>“An influx of new tools has given rise to a wider enthusiasm for type-creation from designers of all backgrounds, making font development as simple or as complex as you would like it to be.”</p>]]></description><guid isPermaLink="false">570</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item><item><title>The Anatomy of a Thousand Typefaces</title><link>https://typography.guru/weekly/arc/no67/the-anatomy-of-a-thousand-typefaces-r569/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2017_10/anatomy.png.95d25d89ca63e7d517b2314fce28dfca.png" /></p>
<p>Florian Schulz: “The seemingly mindless choice of a font is a general problem with font menus: there are either too few or too many options.
On one hand, a limitation to system fonts, as seen in the video, can lead to a bad choice because there simply isn’t something better installed.
On the other hand, web font libraries with hundreds or thousands of fonts can be quite overwhelming and lead to a paradox of choice.”</p>]]></description><guid isPermaLink="false">569</guid><pubDate>Thu, 01 Jan 1970 00:00:00 +0000</pubDate></item></channel></rss>
