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<rss version="2.0"><channel><title>Typography Weekly: Typography Weekly #126</title><link>https://typography.guru/weekly/arc2/no126/?d=10</link><description>Typography Weekly: Typography Weekly #126</description><language>en</language><item><title>Legibility: how and why typography affects ease of reading</title><link>https://typography.guru/weekly/arc2/no126/legibility-how-and-why-typography-affects-ease-of-reading-r1119/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_05/legibility.png.3c8db0a212a2aca576b73e10d287af7e.png" /></p>
A new, digital edition, in English and Spanish of Mary Dyson’s book is available free of charge, like the other texts on Design Regression.

The book is a comprehensive attempt to make descriptions of legibility research more accessible to those who can benefit: practitioners, students, enthusiasts. 
]]></description><guid isPermaLink="false">1119</guid><pubDate>Thu, 04 May 2023 07:43:09 +0000</pubDate></item><item><title>Fonts In Use: Multiscript</title><link>https://typography.guru/weekly/arc2/no126/fonts-in-use-multiscript-r1118/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_05/35_Bahrain-facade__ScaleMaxWidthWzMyMDBd.jpg.dba5bf56ee964b749c509a4e257eef94.jpg" /></p>
Matthijs Sluiter highlights four design projects where two scripts are each used as equal partners in the work. ]]></description><guid isPermaLink="false">1118</guid><pubDate>Thu, 04 May 2023 07:38:29 +0000</pubDate></item><item><title>Gerard Unger Scholarship 2023</title><link>https://typography.guru/weekly/arc2/no126/gerard-unger-scholarship-2023-r1117/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_04/2023_GUS-newsletter.gif.ec1bd0201d2e410097134b2812a4fb2d.gif" /></p>
TypeTogether’s Gerard Unger Scholarship is now open for submissions. All current and graduated students from 2022 and 2023 may submit their type families for an opportunity at this mentorship. ]]></description><guid isPermaLink="false">1117</guid><pubDate>Mon, 17 Apr 2023 12:08:58 +0000</pubDate></item><item><title>Letteres: new online shop for typography products</title><link>https://typography.guru/weekly/arc2/no126/letteres-new-online-shop-for-typography-products-r1116/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_03/para.jpg.d72809891d76293338bcaf4bf48cf90d.jpg" /></p>
LETTERES is a brand new line of limited edition products by Parachute for design enthusiasts. ]]></description><guid isPermaLink="false">1116</guid><pubDate>Wed, 22 Mar 2023 15:23:21 +0000</pubDate></item><item><title><![CDATA[Proof&Co. 2022 Annual Report/Almanac for independent type]]></title><link>https://typography.guru/weekly/arc2/no126/proofco-2022-annual-reportalmanac-for-independent-type-r1115/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_03/2022AR.jpg.581560bcd42dbfd0e896f9a827b5358a.jpg" /></p>
The 2022 Annual Report lays out the facts, figures, stats, and analysis behind the world of independent typography in 2022. The 2022 Almanac is the ultimate reference guide and index to the over 270 font families and collections released in 2022. ]]></description><guid isPermaLink="false">1115</guid><pubDate>Tue, 21 Mar 2023 13:52:32 +0000</pubDate></item><item><title>Monotype acquires fonts from Milieu Grotesque and Paulo Goode</title><link>https://typography.guru/weekly/arc2/no126/monotype-acquires-fonts-from-milieu-grotesque-and-paulo-goode-r1114/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_03/230203_MA_Announcement2(1)_200.webp.f649d71ea2db0645aec0860b24bf3b5b.webp" /></p>
Monotype announced its acquisition of five premium typeface families from the Milieu Grotesque catalogue and Paulo Goode’s current type catalogue.]]></description><guid isPermaLink="false">1114</guid><pubDate>Thu, 16 Mar 2023 06:41:44 +0000</pubDate></item><item><title>An end to typographic widows on the web</title><link>https://typography.guru/weekly/arc2/no126/an-end-to-typographic-widows-on-the-web-r1112/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_03/textwrap-balance.png.c7f28cde2bc70d58d3d870d7c6ea1ff6.png" /></p>
Currently shipping in Chrome Canary, and thus soon to be in Blink-based browsers including Edge, is a relatively new CSS declaration which promises to virtually end typographic widows.]]></description><guid isPermaLink="false">1112</guid><pubDate>Wed, 08 Mar 2023 06:23:37 +0000</pubDate></item><item><title>Why Did Adobe Discontinue Font Chameleon in the 1990s?</title><link>https://typography.guru/weekly/arc2/no126/why-did-adobe-discontinue-font-chameleon-in-the-1990s-r1111/</link><description><![CDATA[
<p><img src="https://typography.guru/uploads/monthly_2023_02/fontchameleon.jpg.5088a61704eb278f39f9958fa1fc0f48.jpg" /></p>
There is a popular myth that Adobe bought Font Chameleon to kill a threatening technology. Actually, no, removing it from the market was not a motivation for the acquisition …]]></description><guid isPermaLink="false">1111</guid><pubDate>Wed, 22 Feb 2023 20:41:26 +0000</pubDate></item></channel></rss>
