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Help identifying these fonts in old lawyers' business cards

Go to solution Solved by Riccardo Sartori,

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Hello everybody,

since i'm planning to make my own business card like the ones my grandad and great grandad, both lawyers, had, i'm trying to figure out what fonts they had used.

The cards had been made in Italy.

The oldest one (Antonio) might had been done in the first half of the 1900 century, probably post Great War, or around that time anyway.

The second one looks the hardest. It had been made post WWII. As for the sans-serif, I can't identify it either!

 

IMG_8011.jpg

IMG_8013.jpg

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These are typical examples of typefaces used for stationery, available in serif, sans serif, and small serif styles. Some, like Chevalier, more ornate. Every foundry had their versions, differing in some small details, but with the same general features: wide proportions and small caps instead of a lowercase.

The most notable that were digitised are, arguably, Engravers (Roman and Gothic),  Sackers (Roman and Gothic), and Copperplate Gothic.

There also are plenty of more or less modern revivals and reinterpretations.

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38 minutes ago, MissNobody said:

The second one (Marcoleone) looks like Century Schoolbook.

Mmmh i think some letters differ. The N and the R especially. I thought it might look like Engraver Font, but still, the R is slightly different, and also the type of serif in that letter (it's uneven), in a different fashion from the other serifs

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5 minutes ago, Riccardo Sartori said:

These are typical examples of typefaces used for stationery, available in serif, sans serif, and small serif styles.

[...]

Every foundry had their versions, differing in some small details, but with the same general features: wide proportions and small caps instead of a lowercase.

So, very likely, non reproducible I'm afraid...?

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  • Solution
44 minutes ago, thrain44 said:

So, very likely, non reproducible

Probably not in all details (you would need not only the exact font, but also the same printing technology), but certainly “in spirit” it can be done, and, at least for the first one, Chevalier is spot on.

A graphic designer can surely help you making the right adjustments.

45 minutes ago, thrain44 said:

Still, can't figure the sans serif part.

Because it is not a sans serif: it is a low contrast serif, like (the wider styles of) Copperplate Gothic or the one suggested by MissNobody.

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