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A CHEATER?

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Jos Buivenga

Following them around the net and offering the original, all for a price that’s hard to argue with. Could make some serious waves, and hurt some one’s credibility.

Hurting the credibility of Parachute has already been done and I'm satisfied with that. It would have been just if they had asked me to use Delicous as a base for their muse face.

However it costs a lot of $$$ and Delicious is still free and DeliciousX will beat every competition (I hope :-) for a smaller price.

Maybe I'll send them an e-mail, but actually I really want nothing to do with them. For the moment ... I just want to do my own type thing in the believe that I've got everything covered right now. I will however update my free downloads with a license.

And for those who’ve followed this thread and still have yet to view both fonts up close, let me just reiterate here that this is not someone reflecting an obvious influence in three or four characters ... we’re talking about virtually every character being identical, point for point. There aren’t enough zeros in the Milky Way to quantify the odds of something like that taking place by accident.

I second that, and I don't have to look at all the points' positions.

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AndrewSipe

However it costs a lot of $$$ and Delicious is still free and DeliciousX will beat every competition (I hope :-) for a smaller price.

Like I said, you can't argue with that. I'll be looking forward to DeliciousX!

Isn’t that essentially how open source works? Many people out there believe that’s how everything should work.

Well, usually the original creator gives their approval before someone starts whacking away.

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aluminum

"Isn’t that essentially how open source works"

Not directly. Open Source Software typically requires that if one uses the open source software for their own software, then their software must also be open source.

There are many licenses out there, of course, but most of them follow that concept.

Now, one can certainly still profit from the services that accompany the software (development, support, customizing, etc.)

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beejay

> There’s no point contacting them, as they’ve been held accountable before and their position is known.

that's ridiculous.

The possibility exists that Parachute was duped by the 'creator' of the font, Vangelis Karageorgos. Logic suggests that the Parachute boys would not knowingly put up a font based on someone else's outlines, and logic also suggests that they'll take this font down as soon as they see evidence.

they might be guilty of not being aware of Delicious, but give them (the Parachute guys) a chance to defend themselves before calling them thieves, and setting out to hurt their business.

Karageorgos knows what he did, but I'd bet that the Parachute guys did not know that PF Muse was tainted.

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Nick Shinn

Is their position known?

Their position (explained on a previious Typophile thread) is that this is a dodgy business and everybody plagiarizes.
So don't pick on the little guy if you're going to turn a blind eye and keep silent on, for instance, the Frutiger knock-offs, as long as they're done by a "reputable" company.
I would have to agree with them. Isn't this an industry that eulogizes the "designers" of "revivals"? Didn't we just celebrate 50 years of Max Miedinger's wonderfully derivative design?

Having said that, there are a lot of grey areas, and we have to draw the line in the sand somewhere, and "plagiarism is acceptable but point piracy and trademark (name) infringement is not" is what *we* as an industry have settled on, so all foundries should respect this, even though it's not perfect.

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Si_Daniels

>what *we* as an industry have settled on, so all foundries should respect this,

Agreed, but in a way it matters less what the industry decides on (or for that matter what's legal) it matters more what the customers (typically graphic designers) consider kosher vs a "knock-off".

>and trademark (name) infringement is not

http://www.t26.com/fonts/Delicious

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Jos Buivenga

Fair enough Brian. OK. Let's find out what they have to say. I've send an e-mail regarding this thing and I will let you know the outcome.

@ Nick: Why shouldn't we try to stop the little guys before they become too big for us to make a difference?

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Curioustype

Mr. Shinn I've agreed with you on more things than you'll ever know because I read quite a bit of what you write here and elsewhere. Unfortunately, this isn't one of those times.

I believe the one major difference between what you've opined and the real tragedy here is in fact a two-parter: a.) Delicious was and is a free font and among the best at that; and b.) I sadly must admit I've got underwear older than Delicious. Delicious hasn't even reached its peak notoriety yet, much less be anywhere near eligible to be "revived."

Additionally, the Parachute people are charging big bones, so to speak, for their version of someone else's font; not their version, interpretation, tribute, of the font, but a virtual exact copy. Certainly there are arguments for everything you wrote; however, perhaps another a$$-chapper here is that most legitimate "revivals" are interpretations, created in part as a quasi-honor, and most certainly not a point-for-point ripoff by someone who didn't really try all that hard to disguise his actions.

Without question, typography is a lot like music or the motion-picture industry. In this case, however, someone has taken the exact bars and notes from a Zeppelin song, changed "day" to "afternoon" in the lyrics here and there, named the song "Foggy Hill Trot" and are selling it for big bucks ... all while brazenly sitting among true professional musicians and saying "really, we wrote that. It's nothing like ... what's that song you mentioned? Misty Mountain Hop? I've never even heard of that."

And finally, at least from a personal perspective, the Parachute people are especially shameless when considering at least one of them seemed to be offended by the suspicion of any "borrowing" going on, and another trumpeted the foundry's value while cramming in between it all what amounted to, "everyone else is doing it, so why can't we?" Let's pray none of us in-denial plagiarists decide to jump off a bridge.

The bright side here is the Parachute version of this font seems aptly named with "Muse." I'd say Delicious provided the perfect "Muse."

In support of your point, however, certainly Southern Software and its ilk do this kind of thing on a massive scale. However, even in that case, SSI offered cheaper versions of more expensive fonts; here, someone's taken a very good free font, copied it, renamed it, and now is selling the Muse family for more than a downpayment on a JetSki.

Frutiger vs. Myriad is a fight, even if a one-sided fight. This was unmitigated larceny by people who - despite having their faces on hi-def video surveillance and carrying a sign saying "PARACHUTE" - still come here and have the nerve to claim, "that's not us." I'd swear one of them has to be Martin Short.

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Jos Buivenga

Nick, I'm not rioting typophile ... I'm just talking about the grey areas mentioned by you. This case is not really about revivaling a celebrated typeface.

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Curioustype

"Karageorgos knows what he did, but I’d bet that the Parachute guys did not know that PF Muse was tainted."

Just a question - how could two self-proclaimed legitimate typographers go through the entire process of releasing the font, etc., and selling it for goodness knows how long without knowing about "Delicious" while at the same time a meaningless piss-ant like me recognized it the very first time I saw the font "Muse?" Delicious hasn't exactly been second behind where Jimmy Hoffa is buried as the planet's biggest mystery.

And in furtherance of that, I can't remember Jos ever really plugging or pushing Delicious (if anything, he was justifiably protective of it), yet it still when you search Google for the string Delicious "Jos" free font, you get 67,000 results ... and that with the term "Jos" in quotes.

Should someone lean more toward the basics of morality, however, one thought continues to come to mind: ignorance is no excuse.

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charles_e

>It’s one thing that they “borrowed” the design and “modified” it, but it’s another to try and profit from it.

Isn’t that essentially how open source works? Many people out there believe that’s how everything should work.

That stinks, implying that those of us who find good cause for some open source fonts also think copying someone else work without credit, and reselling it, is OK.

Below a portion of SIL's Open Font License, also followed, I believe by the Greek Font Society.

The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives

Pretty clear about prohibiting reselling or relicensing the font, modified or not.

If font developers in the commercial sector wish to so restrict their fonts that they are of little to no use for some applications that is their business; the marketplace will sort it out. But to insinuate that those of us who support OFL also support what amounts to piracy, strictly legal or not, does a disservice.

Without fonts like Charis, Gentium, and the offerings from GFS, a number of authors would not be able to prepare manuscripts so that typesetters could use the author's files economically; without permitting limited font modifications as allowed by Adobe's EULA, some scholarly books could not be published.

Believing in that is a far cry from supporting the shenanigans apparently going on as reported here.

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Nick Shinn

most legitimate “revivals” are interpretations, created in part as a quasi-honor, and most certainly not a point-for-point ripoff by someone who didn’t really try all that hard to disguise his actions.

What's the difference--fessing up? That is indeed the distinction that separates plagiarism from homage.

IMO, the "expiry date" is the key ethical concept with regards to copyright and plagiarism.
Content creators deserve a limited-time monopoly to benefit from their work (during their lives), but after that it enters the public domain.

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Si_Daniels

>how could two self-proclaimed legitimate typographers

"Never attribute to maliciousness that which can adequately be explained by stupidity!" Mark Twain

Oh and Typophile edit rides again! Yehaw!

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Jos Buivenga

CrossPost ... WoW ... I'm flabbergasted with Christopher's replies. Guess I couldn't have said it better (only shorter :-)

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Si_Daniels

>Believing in that is a far cry from supporting the shenanigans apparently going on as reported here.

Do a search on the type designers name + "font" and see what links comes up. ;-)

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Nick Shinn

This case is not really about revivaling a celebrated typeface.

Right Jos, I was just talking about the general skew in type culture. Of course, everybody mines history these days, but no-one does it better than type people!

But I'm repeating myself, I actually think there is a hell of a lot more original work being done now than five years ago -- just look at Typographica's Types of 2007.

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Si_Daniels

>IMO, the “expiry date” is the key ethical concept with regards to copyright and plagiarism.

Also I think the expiry date varies according to the TM status of the name. Fonts that should perhaps have reached that date remain untouchable as their marks are actively policed.

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Curioustype

"What’s the difference—fessing up? That is indeed the distinction that separated plagiarism from homage."

Not only fessing up, but I'd like to believe in some cases that yes, homage. Perhaps my idealism is misguided ... I prefer to identify what you call "fessing up" as - at the absolute least - "acknowledgement." And again, perhaps my ignorance is once again dancing on my forehead, but these "revivals" often are of typefaces not originally drawn on a computer and thus, unable to be duplicated hammer-stroke by hammer-stroke OR point by point.

Visually they may be identical, but it still required some typographer to replace pounding iron with drawing his or her own points. Between that and yes, the confession/acknowledgement, I simply cannot see how the two directions could be compared. Believe me, I fully agree - originality is rare in typography, music, any form of art. But this wasn't a cover song, a conversion from metal or plate to digital, or even a parody like Mad Magazine. This was Brett Buster and Violet O'Mara starring in the four-hour southern epic Swept by the Storm and getting offended by comparisons to Gone With the Wind. They're playing a shell game here, except they're trying to use three balls and one shell.

If anything, just the flagrant nature of would seem to offend everyone, not just Jos, because it seems you're defending what in essence is Parachute's belief that we're all idiots. That's probably the difference between us - though not my font, I take this kinda personally; it seems you take a more pragmatic, liberal approach. Which is why I'll be dead at 50 and you'll probably live to something divisible by 50. Still, I can't shake the things said in the other thread by these people.

"Content creators deserve a limited-time monopoly to benefit from their work (during their lives)"

Agreed. I think Jos just posted something, however, so unless he died of carpal tunnel in the last half-hour, his limited time is still ticking.

Now please, Mr. Shinn, would you just die already? Not actually die die, just for like an hour or so. OH my - never mind ... I lost my head there for a second pondering the idea of your work being part of public domain. My apologies sir.

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Jos Buivenga

Right Jos, I was just talking about the general skew in type culture. Of course, everybody mines history these days, but no-one does it better than type people!

I've never encountered it this way, but it seems like you want to thrive this discussion to some general thing that I —in this current thing that's going on— find hard to comprehend.

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Nick Shinn

because it seems you’re defending what in essence is Parachute’s belief that we’re all idiots.

Chris (please call me Nick), it was more along the lines of "as ye sow, so shall ye reap".
Parachute may have crossed the dividing line into point piracy, but I suspect they don't think that's any worse than a legitimately-drawn Frutiger clone which didn't even bother tacking on a few serifs.

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Nick Shinn

it seems like you want to thrive this discussion to some general thing

Isn't that how Parachute considers it? They have said on Typophile (Ralf's link, above), "We do not claim some high degree of originality here, but *only to the same level as other companies do*."

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Jos Buivenga

*edit* @ Nick:

What's your point? Let's get real. It's the "How the differ" thing in the same paragraph that bothers me.

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