The objective of the course is for anyone interested in typedesign to expand their knowledge to an alphabet system further than Latin by developing a design methodology, and learning its potential application in the real situations.
A collaboration between Readymag and TDC in the form of a digital editorial looking at the impact of TDC medalists, and the award itself, on the global design and typography community—with first-hand stories and appreciation from TDC members.
A new corporate and interface typeface for Braun to replace Neue Helvetica. Made by Iconwerk with Ludwig Übele, Nina Sagra, and the Braun design studio.
If you’re interested in book collecting, you’re naturally concerned about taking proper care of your books. The following guidelines offer an overview on storing and handling rare books for your personal collection.
Together we explore the overlap of typography and experimental tech, including but not limited to artificial intelligence, augmented and virtual reality, creative coding, physical computing and innovative use of traditional craft.
Practica is now two live, online courses that can be taken one after the other or separately. Learn typeface design from professionals and a community of typophiles.
Named after the Ojibwe word for “s/he leaves a mark”, Ezhishin was developed to facilitate conversation around the typographic needs of First Nations/Native American communities, and showcase lettering projects and typographic styles by Native designers.
“One of the world’s first widely used sans-serif typefaces, Akzidenz-Grotesk, joins the Monotype family along with more than 700 historic typefaces from the Berthold library.”
In the 1930s, graphic designers found in fascist propaganda exhibitions and industrial advertising new spaces where an “Italian”-modernist visual language could be developed.
