Stability.ai announced Deep Floyd, a generative AI capable of setting perfect typography in any setting made of any material under any conditions imaginable.
A new, digital edition, in English and Spanish of Mary Dyson’s book is available free of charge, like the other texts on Design Regression.
The book is a comprehensive attempt to make descriptions of legibility research more accessible to those who can benefit: practitioners, students, enthusiasts.
TypeTogether’s Gerard Unger Scholarship is now open for submissions. All current and graduated students from 2022 and 2023 may submit their type families for an opportunity at this mentorship.
The 2022 Annual Report lays out the facts, figures, stats, and analysis behind the world of independent typography in 2022. The 2022 Almanac is the ultimate reference guide and index to the over 270 font families and collections released in 2022.
Currently shipping in Chrome Canary, and thus soon to be in Blink-based browsers including Edge, is a relatively new CSS declaration which promises to virtually end typographic widows.
There is a popular myth that Adobe bought Font Chameleon to kill a threatening technology. Actually, no, removing it from the market was not a motivation for the acquisition …
“Stop Stealing Sheep and find out how type works, 4th edition” (PDF, 23 Mb) is published and open to all under a Creative Commons license on Google Fonts.
‘The Times (New Roman) are a-Changin,’ read the subject line of a cable from Secretary of State Antony Blinken to U.S. embassies as part of an accessibility push.
Jon Young (Tiotype) is the new owner of GarageFonts. Going forward, the new GarageFonts aims to be a steward of the library and to build on its legacy by releasing new typefaces that are relevant, significant, purposive, and beautiful.