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Typography Weekly #29

9 typography news links in this category

  1. Ralf Herrmann ·
    “By the time Jovica Veljović released his first font family in 1984, he was already an internationally renowned calligrapher. Back then, he taught at the art academy in Belgrade, the capital both of Serbia and the former Yugoslavia …”
    • 0 comments
    • 6,104 views
  2. Ralf Herrmann ·
    “Yanone, (shorthand for Jan Gerner), is an exciting type designer, filmmaker, developer, and person. His recent commission led to an interesting exploratory process and resulted in the successful family expansion of one of our most popular and versatile typefaces, FF DIN …”
    • 0 comments
    • 1,959 views
  3. Ralf Herrmann ·
    “After my font Indie I wanted to create something much more wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play.”
    • 0 comments
    • 1,899 views
  4. Ralf Herrmann ·
    “Renault Carname is a new typeface system for the interior and exterior badges on Renault vehicles, designed to remain visible even when the car is in motion.”
    • 0 comments
    • 3,622 views
  5. Ralf Herrmann ·
    John Boardley writes about when and how books got their title-pages.
    • 0 comments
    • 2,031 views
  6. Ralf Herrmann ·
    “Join designer and illustrator Jeff Rogers for a 70-minute class on designing dimensional type. In this fun and practical class, you'll dive into the essentials of working with typography in your digital illustration work …”
    • 0 comments
    • 3,935 views
  7. Ralf Herrmann ·
    “Dive into the Parisian print world of the fin de siècle. Discover a period of artistic innovation and decadence, from quiet interiors to the bustling streets of the modern city.” From the Van Gogh Museum Amsterdam
    • 0 comments
    • 7,117 views
  8. Ralf Herrmann ·
    “A monospace typeface and a monospace-inspired typeface”.
    • 0 comments
    • 2,171 views
  9. Ralf Herrmann ·
    “On the role of the Tra­jan let­ter in the his­tory of So­viet ty­po­graph­ic design, and the de­vel­op­ment of Cyril­lic ver­sions of Adobe’s two typefaces, Tra­jan Pro 3 and Tra­jan Sans Pro.” by Maxim Zhukov
    • 0 comments
    • 2,859 views

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