A serif typeface in 56 styles (including optical sizes, widths and weights) designed by Riley Cran, inspired by the mid century advertising lettering of Mortimer Leach.
“Of the 20 styles in this comprehensive font, which also include condensed variants, we have selected eight base styles, which will convince you of the versatility of this modern, high-quality typeface design.”
“Inspired by a style of lettering invented to convey precision and reliability, Isotope is a new family of typefaces designed to be both luxurious and fit.”
The origins of Å can be traced back almost 500 years to a Hanseatic printer caught in the midst of major political, theological, technological, and phonological turmoil.
Gudrun Zapf von Hesse, born January 2 in 1918, is a woman of many talents. As she turns 100, her first alphabet design will be finally released after 70 years.
“I met recently with Andrew Steeves to talk about his approach to printing and publishing, about his experience with Johanna Skibsrud's The Sentimentalists, and about what he hopes to achieve with his work and in his life.”
TypeTogether might not seem an obvious name for a business partnership founded by two people living nearly 6,000 miles apart. Yet when Veronika Burian and José Scaglione started their type foundry, Veronika (originally from the Czech Republic) was living in the US and José in his native Argentina …
“Based on the powerful Trade Gothic Condensed Heavy typeface, Monotype Studio designer Lynne Yun, created the fonts necessary to set both “beveled” and “embossed” characters in any color.”
Originally designed as a Garamond-inspired metal typeface by Robert Girard c. 1921–23, and published under the name Astrée by esteemed French foundry Deberny Peignot, the typeface was soon recut and renamed Mazarin by renowned English foundry Stephenson Blake in 1926.
“The Riks stencils, completing Sindre Bremnes’ Telefon family, is in part based on the seven letters adorning the sides of the telephone kiosk by the same name, designed by architect Georg Fredrik Fasting in 1932.”
“Versatile contains 3 different styles: Bold, Hatch and Rust (sold separately). Each style contains one body and six display sub-families which gives you the ability to stack seven layers to create interesting and eye-catching designs that will make your customers take notice.”
