“100 things over 100 days to celebrate Lubalin’s Centenary. Items selected from the Lubalin archive that surprise and delight, stories from past collaborators and current appreciators, all to celebrate the legacy he left in design.”
“Zesta is a family of high-contrast serif fonts, intended for use in display typography. Their design is modern, or ‘Didone’ in style, meaning that its letterforms look like those used in France during the revolutionary, imperial, and restoration eras (late-1700s/early-1800s).”
FiraGO is a new fork of Fira Sans supporting Arabic, Devanagari, Georgian, Hebrew and Thai. With this script support, FiraGO catches up with other global Open Source typefaces such as Noto.
“Banjax Notched is a dynamically restyled version of the original Banjax humanist sans serif typeface. Banjax Notched is intended for use in titles, headlines, branding and logo designs.”
Making a typeface that one hundred million people see every day is no small task. Plau partnered with Rede Globo’s creative team to do just that. The result is Globotipo, a 3-style, 30-font super family created to refreshed and expand the typographic voice for Brazil’s ultimate broadcaster. Check out the video case above or scroll to learn more.
“It’s a point of embarrassment to me that I only learned a few days ago one of the oddities to do with Johnston, the typeface used by Transport for London (TfL) since it was designed in 1916.”
“In the Letterpress Digest podcast, novice printer Jordan Berry talks about all things letterpress with some of the most influential and experienced artists, designers, and printers who are using letterpress printing today.” Available on iTunes, Google Play Music and Stitcher.
