Ryan Maelhorn Posted November 18, 2012 Posted November 18, 2012 This topic was imported from the Typophile platform Does anyone know of a ash (æ) symbol design made with a single story a?
Maxim Zhukov Posted November 18, 2012 Posted November 18, 2012 In some ‘Infant’ typefaces perhaps. Predictably, in italics ands scripts.
eliason Posted November 18, 2012 Posted November 18, 2012 And some geometrics like VAG rounded and Avant Garde Gothic.
Ryan Maelhorn Posted November 19, 2012 Author Posted November 19, 2012 is it considered bad form then to create an ash with a single story a even if the font has a single story a?
timd Posted November 19, 2012 Posted November 19, 2012 Probably just difficult to differentiate from this œ when it is a single storey a. Tim
Nick Shinn Posted November 19, 2012 Posted November 19, 2012 Not really an issue, as they don’t both appear in the same language. Mind you, if one comes across an unfamiliar Latin loan word that uses one of the ligatures, it is nice to be know exactly how it’s spelled.
hrant Posted November 19, 2012 Posted November 19, 2012 The monocular "a" is already evil, nevermind the monocular "æ". they don’t both appear in the same language. I must be imagining Færœse then. :-) (Not to mention French...) hhp
Ryan Maelhorn Posted November 19, 2012 Author Posted November 19, 2012 Exactly Tim, that's why I'm trying to find well done examples. Hrant, everybody loves to single story a, you know it.
Jongseong Posted November 19, 2012 Posted November 19, 2012 Faeroese (føroyskt) uses æ but not œ. It uses ø instead, like Danish and Norwegian. French uses œ, but æ is supposedly restricted to rare words of Greek or Latin origin and I don't recall seeing it used in the wild (I live in France). The language that uses both æ and œ that you're looking for is of course traditional (19th century) English, with spellings like 'amœbæ'. This kind of spelling does persist with some rare words today, especially in British English, though I get the feeling that nowadays its use is mostly about æsthetic appeal and is likely to be the result of a manœuvre to give a mediæval touch to your œuvre.
hrant Posted November 19, 2012 Posted November 19, 2012 Thanks for the insights. Let me tell you guys a true story, "from the wild": I used to use the UCLA libraries a lot (still do now and again) and I was checking out an issue of Quærendo. Nobody had checked it out before, so the lady needed to make a label for the inside back cover. Except she couldn't find it in the system. She kept typing Quoerendo. Check out the cover:http://tinyurl.com/c3rekv2 Don't tell me that's good design. hhp
Nick Shinn Posted November 19, 2012 Posted November 19, 2012 … a manœuvre to give a mediæval touch to your œuvre. Clever!
ahyangyi Posted November 19, 2012 Posted November 19, 2012 Nick Shinn, You have to also make sure that IPA isn't in your future plan, though. (luckily, it usually isn't)
Nick Shinn Posted November 19, 2012 Posted November 19, 2012 Une “salade Caesar” avec 2 cœurs de salade romaine.
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