minardi Posted November 22, 2005 Posted November 22, 2005 This topic was imported from the Typophile platform If you put together a reasonably inexpensive non-electronic type design kit, what would be in it? Here's mine: Sanford Design Ebony Layout Pencils Alvin Brass Bullet Pencil Sharpener Sanford Higgins Waterproof Black Magic Ink Rapidograph pen set (I use Mars): .3, .6, and 1.2 General's Pen Holder (and a selection of pen tips) Alvin French Curves (set of 3) 9x12" Acid free 65 lb white sketch paper (spiral pad) 9x12" Tracing paper pad 16" cork-backed ruler erasing shield Sharpie twin tip marker (black) red, black and non-repro blue prismacolor pencils and BIC Crystal Ball Point pen (black)
Alessandro Segalini Posted November 22, 2005 Posted November 22, 2005 Since most of the Type Design happens nowadays on screen, I guess some spinning mices who provide energy for the monitor, or in general just the nib and the ink. Regards, AS
dezcom Posted November 22, 2005 Posted November 22, 2005 There was a thread exactly like this last year. Maybe if you search the archives, you will find it? Here are some links but there is one more that I cannot find: https://typography.guru/forums/topic/18889-forwarding https://typography.guru/forums/topic/14822-forwarding https://typography.guru/forums/topic/26025-forwarding ChrisL
oldnick Posted November 22, 2005 Posted November 22, 2005 Geez, it's been so long since I've done any real handwork, it's hard to remember, but... I was seriously into Rapidographs, with a complete range from 6x0 (about a gnat's eyelash in width) to 6 (used about a half bottle of ink for every twenty feet ruled); two Rapidograph ruling compasses (a small drop compass, which handled radii down to a sixteenth of an inch, and a large, far more precise one with worm-gear adjustment that could tackle radii to about four inches); a free-flowing India ink (whose name I cannot recall, but decidedly necessary for very fine-point pens); and Linekote illustration board. Both Rapidograph compasses had leadholder inserts, so you could use non-repro blue lead to plan your work, then swap out the appropriate penpoint to work your plan. Another handy tool was white mylar tape for corrections and adding traps. The mylar version was much thinner than regular white tape (fewer problems with shadows), and a lot tougher (you could cut VERY tiny slivers for traps). And, of course, a whole slew of Alvin templates often came in handy.
canderson Posted November 22, 2005 Posted November 22, 2005 Currently, I'm working on a revival of Comic Sans. So, I've pretty much just got a couple boxes of sharpies and a ream of 20# bond from Kinkos.
canderson Posted November 22, 2005 Posted November 22, 2005 Oh, and Mt. Dew. Lots and lots of Mt. Dew.
Alessandro Segalini Posted November 22, 2005 Posted November 22, 2005 Ah ah, Mr. Lozos, I didn't remember my carrot picture. This forum is so amusing and useful. Thanks, regards, AS
John Hudson Posted November 22, 2005 Posted November 22, 2005 I don't do a lot of actual typeform design off the computer, but I do tend to make prepatory studies of stroke and contrast patterns using different writing implements and techniques. The most useful addition to my analogue toolkit this year has been an Osmiroid copperplate nib. This is a discontinued item, but I found a couple on eBay. It is, as far as I know, the only split-nib attachment available for a cartridge pen, and it much more convenient than getting out the pot of ink and my various old nibs and holders.
minardi Posted November 22, 2005 Author Posted November 22, 2005 Hrm... didn't realize there were identical threads on this. The thought for this post occurred to me when I recently had to buy a collection of art supplies for a sick friend, and was faced with buying a cheap but comprehensive collection of tools at the art supply store. Kind of a "desert island drawing tool kit." Maybe a more interesting question is "does anyone use any anachronistic drawing tools?" Things like extinct lettering pens, obscure types of pencils, or these
crossgrove Posted November 22, 2005 Posted November 22, 2005 How about pencils, erasers and paper? If you need to make final art, add rubylith and x-acto knife.
dave bailey Posted November 22, 2005 Posted November 22, 2005 I just get myself some good graphite pencils, HB usually and a pad of paper. Nothing fancy...I do have a lot of other supplies from my design classes but these are the staples.
Mark Simonson Posted November 22, 2005 Posted November 22, 2005 When I'm not working at my computer, I like working with any of these, depending on what I'm doing: Pilot Precise Extra Fine Roller Ball Pen No. 2 Pencil Faber-Castell 9000 Pencil Set (for more serious drawing) Faber-Castell Magic Rub Eraser Pilot Razor Point Yellow legal pad (I love doodling on these things more than anything for some reason) Bienfang 10x10 gridded paper Gaebel steel 18" ruler Various sized plastic triangles Drafting tape X-acto knife and blades Mechanical pencil (no favorite brand right now, so long as it has an eraser and uses .05 HB leads) Various drawing paper sketch books Cheap little note pads (I always carry one of these) Vidalon Translucent Vellum pad Electric pencil sharpener After watching the movie "Crumb" a couple of years ago, I noticed he uses a "2" Rapidograph pen for most of his work. I got all nostalgic and went out and got one. I used it for a couple of weeks, carried it around for a couple of months and now the damn thing is sitting with my other pens full of dry ink. Oh well. I still like using pencils and paper, but I would never go back to producing finished lettering art with ink and pens. I actually used a ruling pen for a little while before I discovered Rapidographs. Ruling pens were heartbreakers. I also used to use a lot of red Zipatone instead of ink for filling in large areas. Plus a ton of ellipse and circle templates and french curves. (What do they call french curves in France? Des courbes? I guess if we were still using them here, some people would be calling them "freedom curves." :-P ) Oh, and I still have the T-square I bought in college. Nowadays, I am most likely to use it to retrieve our cat's toys from under furniture.
dezcom Posted November 22, 2005 Posted November 22, 2005 Bestine and Beer Float--Drink it and you will be able to flush your Rapidograph clean (along with your innards) :-) ChrisL
Dan Weaver Posted November 22, 2005 Posted November 22, 2005 Bestine was nasty stuff, I'd rather have Turkey at least this week
dezcom Posted November 22, 2005 Posted November 22, 2005 Bestine had NO colesterol and NO carbs (part of your heart healthy diet). ChrisL
oldnick Posted November 22, 2005 Posted November 22, 2005 After watching the movie “Crumb” a couple of years ago, I noticed he uses a “2” Rapidograph pen for most of his work. I got all nostalgic and went out and got one. I used it for a couple of weeks, carried it around for a couple of months and now the damn thing is sitting with my other pens full of dry ink. Oh well. That's the reason that an ultrasonic cleaner was also an essential tool in the analog days. The chemistry profs at the college I worked at eons ago said "old soapy water" greatly increased the efficacy of the cavitation produced by an ultrasonic cleaner, and made it more effective. However, I was never sure whether or not that meant that you had to add old soap to new water, or that you added new soap to new water and let it age. Vintage two-and-a-half months ago: a very good year?
jlt Posted November 22, 2005 Posted November 22, 2005 #1 rapidograph, yellow legal pad graph paper in 1/8 inch grid (although i can't find it any longer!), onionskin, no. 1 pencils and that's it. --- jlt : http://www.hewnandhammered.com : rnrmf!
Mark Simonson Posted November 22, 2005 Posted November 22, 2005 It's not like I couldn't clean it. I may get it going again some time. However, it made me realize that I've moved on since my Rapidograph days.
Nick Shinn Posted November 22, 2005 Posted November 22, 2005 I have all that stuff, but it's gathering dust as I haven't used artwork in type design for a long time. I still sketch ideas, "thinking with the wrist", but any old pen on the back of an envelope will do.
. Posted November 22, 2005 Posted November 22, 2005 Bloc Rhodia No 19http://www.catalogue-clairefontaine.com/blocs.php?id=134&idam=4&click=2&... Koh-I-Noor Progresso woodless graphitehttp://www.chartpak.com/kohinoor/7finearts/progresso.html Peet's Major Dickason's Blendhttp://peets.com/shop/coffee_detail.asp?id=118&cid=100
jason Posted November 22, 2005 Posted November 22, 2005 Dear god this is the last straw. I am seriously concerned at my level of interest in this thread. My collection of tools & instruments in variously carefully collected holders & cabinets has been a secret pleasure for years, and now you people are actually exchanging such secret pleasures in a public forum. I can't take it. Stop it, STOP IT. ps. I remember my first Progresso woodless pencil, and love them still. If only the coating didn't peel I'd know true bliss. pps. No, I am not participating in this sick indulgence. I'm not. I WILL NOT.
. Posted November 23, 2005 Posted November 23, 2005 Jason, I've never had a pencil peel on me. Maybe they've improved the formula? Time to head back to your local Koh-I-Noor distributor... c
dezcom Posted November 23, 2005 Posted November 23, 2005 Ahhh, that hardened steel feel of the Alteneder ruling pen laying perfect hairlines down on Strathmore single-ply. The spin of the drop-bow as I fling it through its paces drawing hundreds of small circles on a map illustration; five layers of amberlith with hand cut trapping separating shades of color...Those were the days my friend I hoped they'd never end---NOT!!! ChrisL
minardi Posted November 23, 2005 Author Posted November 23, 2005 To be fair, the only things I use from the original list with regularity are the sketchbook, pencil/sharpener, metal ruler, and the bic pen. I used to be into pilot razor points, but when I had one explode on me I switched to staedtler triplus fineliners. The rapidographs and steel pens are 1/2 tool fetishism (gearism?), and 1/2 practical. Something about using tools like this forces you to consider the marks you make on paper. There is a deliberation to each penstroke... but then, at the same time the carefulness can sometimes kill the spontenaity of sketches. I also like the quality of the india on paper. It doesn't bleed like felt tips, is completely opaque, and (depending on technique) doesn't make indents on the paper. The most obscure tool I actually use is a "Wrico lettering pen" (#6), but it's messy, and I find that I spend more time with preparation and clean-up then I do with drawing.
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