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New Letterhead Fonts antipiracy font lockdown scheme

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Posted
This topic was imported from the Typophile platform

Has anyone else dealt yet with the new LetterheadFonts.com method for installing/using fonts? I recently bought one of their new fonts since they converted their entire library over to OpenType in late December. And aside from the very nice font I must say I am quite dismayed. Here is what they've done:

1. You no longer receive an actual font file, at least not that you can see.

2. Instead what you download is an installer that installs an application called "Letterhead Fonts" (at least on Macintosh which is what I use).

3. The fonts are either embedded in this "Letterhead Fonts" application or somewhere else unknown/hidden from the user. No fonts are installed in the traditional Font folder locations.

4. Once installed, the "Letterhead Fonts" application activates the fonts permanently, at least as far as I can tell, like a font manager. You see them only in the font menus of your other applications, nowhere else. It also doesn't currently allow fonts to be seen or managed in font manager applications like Suitcase, Font Agent, etc., though LHF apparently plans to add this capability.

Aside from the obvious antipiracy objective, here are the biggest ramifications and problems I see for the user (myself, for one):

- You are completely prohibited from organizing the fonts like you want on your hard drive, such as for classification or other purposes. All your flexibility is taken away including any system or method that you might have had in place to manage fonts for your own needs.

- As mentioned, the LHF fonts can't be activated individually. It's an all or nothing proposition. (Unless/until they enable font managers to "see" the fonts perhaps, but maybe not even then, I haven't seen them say.)

- It means you can't add kerning pairs to a font, for example, or otherwise tweak the font yourself if problems are found or you have special needs.

- And of course, you can't really back up the fonts themselves. Your only recourse if something were to happen is a reinstall from the various installers you may have accumulated over time, or else go back to their site for the installers there. (They do make provision for downloading previous font orders you have made with their new shopping cart system.)

A real shame since this will probably make a lot of people think twice about buying additional fonts once they see how it works the first time. I know it has me, despite LHF's unique fonts. Lots of other good independent foundries around these days as alternatives. What do the rest of you think about where LHF has gone with this?

Posted

Do they make any provisions for sending jobs to print including their fonts? That seems like another rather large issue.

Do you have InDesign? What happens if you try to package a job that uses their fonts? Just curious.

Like you, I find this offputting.

Posted

It's problematic for the legit user, but if Apple and Adobe can load their fonts onto your menus so that you can't get rid of the damn things, all power to an Indie foundry for strutting its stuff.

I don't think they're the first to use installers, Tankard and Hoefler have gone done this route, haven't they?

Posted

I have no idea how the Mac works with respect to this but it would seem that its totally possible for an 'installer' to enumerate fonts from memory or from a hidden file every time the machine is booted. After all this is how font managers work. I can't help but think that this, like most protection schemes, causes headaches for legitimate users, but would be quite easy to crack. But providing they're up-front about the unconventional nature of their product, then best of luck to them.

Posted

Can't say I blame them for trying. It doesn't keep their fonts off the internet, but it's probably good at keeping one design teacher from passing them on to a hundred students who will use them in commercial work for a decade after graduation. And it probably wipes out intra-office piracy in companies without technically adept designers.

Posted

I'm all for doing everything we can to prevent theft, and I can certainly understand why LHF would impose such a scheme. It's a real shame, though. I was about to make a sizable purchase of their fonts and the new policy has turned me off completely. It's unworkable for the creative professional. Maybe for the signmakers that use their site it doesn't matter, but for designers such as myself it's yet one more technology hassle that puts severe restrictions on my capabilities and workflow. I am praying they ditch it sooner rather than later. Are you reading LHF??? Pleeeeeease!

Posted

You could contact them directly, you never know they may be willing to bend the rules for a "sizable purchase" esp. if they feel you're trustworthy - can't hurt to ask.

Posted

Regarding the question about packaging an InDesign job with one of the new LHF fonts: No, InDesign's font packaging didn't work for me, nor does imbedding them in PDFs. LHF's suggested solution for PDFs is to convert the fonts to outlines first. Of course, without Adobe Reader's "Smooth line art" preference checkbox turned on, fonts turned to outlines in PDFs look quite cruddy except at very large point sizes. I don't know what the default setting is these days, but I remember a few years ago that was not set by default, and clients usually do not know or bother to change it. If this is still the case, previewing jobs for clients via PDF would be a problem.

About the comment whether LHF is "up-front about the unconventional nature of their product": I would say partially but not completely. They do say in their FAQ about the new OpenType fonts, and I quote:

"Q. My Letterhead Fonts aren't in the regular font folder!
A. Letterhead Fonts work a bit differently than normal fonts in that they aren't installed in the Fonts folder. But you will see them in your applications."

"Q. The fonts are not displaying in FontBook or Suitcase.
A. While you may see your Letterhead Fonts in font management programs such as FontBook or Suitcase, you won't be able to turn them on or off. And of course you won't be able to install Letterhead Fonts using your font management program since they must be installed using the Letterhead Fonts Installer. This has no effect on how the fonts function in your design applications however."

The FAQ does mention the fonts won't embed in PDFs and to convert to outlines first. However, despite the mention that fonts are not installed in the regular Fonts folder(s), it wasn't clear, at least to me, that you don't get a font file you can deal with at least *somewhere* on your hard drive as you wish, that activating any LHF font means all of them get activated, and that you can't turn a font off without completely uninstalling it. I mean, after years of dealing with fonts and being able to do all these things, your assumption is most likely going to be that you still will in *some* fashion, unless explicitly told you can't.

They also do not mention you can't package a job in InDesign for a service bureau, though someone knowledgeable could probably assume that from the statement fonts aren't embeddable in PDFs. And while they say converting fonts to outlines for PDFs "may add a bit to the file size, the end result is visually the same as if you had embedded the fonts," this will be true if Adobe Reader's preference for "Smooth line art" is set, but otherwise not. (Which it may or may not be by default. Someone else will have to weigh in on that.) All in all, less than full disclosure in my view.

Also, I went to LHF's online forums to see if others were commenting or complaining and found their forums are now gone. I don't know how long that's been the case or if it's a permanent thing or not. It does make one wonder whether the disappearance was intentional so they wouldn't have deal with public criticism on their site. Then again, perhaps they are busy now dealing with the new system in place and just wanted space.

Posted

So does the Letterhead DRM system require an internet connection to use the fonts? I'm trying to figure out what's to keep someone from just redistributing the executables, aside from some watermarks and lawyers.

Posted

These fonts have to be *somewhere*… and if they are, they are extractable. OR there is some encrypting added, which would make the process of extracting the font files somewhat harder.
My guess: they are inside the application (control click on the icon and choose Show package contents).

Posted

While I realise that LHF fonts are (all?) display fonts, so quite not as much of an issue as if you were dealing with pages of text, converting fonts to outlines adds a considerable amount of effort to a PDF workflow from your DTP app.

Unless there's a way anyone's heard of to convert fonts to outlines 'on the fly' while printing to PDF, it means embedding all your text as graphics rather than being able to edit in the DTP app, and if there any changes, going back to an editable text version and saving a new outline copy.

Posted

'Anti-Piracy' is just a way to say 'anti-consumer'. Blech.

But I agree with Bert, open the package itself and see if you can grab the files.

The 'can't embed in a PDF' would be a show stopper for me, though. That's absurd.

Posted

>But I agree with Bert, open the package itself and see if you can grab the files.

I disagree. If you don't like the protection scheme just don't license the product. Someone might get their jollies cracking the product for 'fun' in the privacy of their own home, and although this is quite sad, providing they don't publicize the hack then no harm is done.

Posted

I had looked inside the application package cursorily earlier but not too closely, and didn't see anything that easily stood out indicating a font anywhere. Also had done a drive-wide search for any file containing the five core characters of the main font name without finding anything. This morning I dug a little deeper and first performed a drive-wide global search for invisible items. When that didn't turn anything up, I went back and did a "show package contents" on the LHF application package again to look closer.

Not counting the usual tiny little incidental files, there's just three files of any size there. In the "MacOS" folder of the package there's a file named "FontInstaller" at 316 KB in size. Then inside the "Resources" folder of the package there are two more, one named "FontInstallation.icns" at 56 KB and "FontInstaller.icns" also at 56 KB. Making copies of either file, then changing the file extension to .otf and opening with FontLab just to see what might happen gives nothing other than a blank new font.

P.S. (edit) Sii, I didn't know the font was going to be protected like this when I bought it. It was not clear to me from LHF's FAQ, and I feel like I was taken for a bit of a ride here. Glad it was just one font I purchased so I'm not out much money.

Posted

I hope we get more information.
I wonder if other manufacturers are going this route?

For someone like myself having every font opened would mean my system would slow down drastically and I'd never get any work out.

Also, the printer I use, who still won't get Quark 7, doesn't do Open Type - so to hand my work over to a professional - would be difficult. Would Letterhead expect my printer to buy everyone of their fonts so my work could be printed out professionally? Do they have anything in their guidelines (like URW) about being able to send the "font" with the job to the printer?

Isn't this what killed QuarkXPress?

Posted

Okay, it turns out I overlooked something and did end up finding the font on the drive, but I suppose it would be best if I do not say how or where. In the end, at least for a user at my level, it doesn't matter because the font is still not recognized by either FontLab or Suitcase, both of which I tried. I assume that must mean some type of compression or encryption (attempted expansion with UnStuffIt did not work, though), so we are still where we were before with the consequences of all this.

Posted

Zebra, thanks for the notification. I certainly won’t be buying anything from them now. I’m glad there are House Industries, Veer, Sudtipos and others… I think this is disrespecting towards almost all of the paying customers and not likely to stop pirating of their fonts. (If that’s been a problem, I don’t know.)

It would be nice to hear some of the reasoning behind this.

Posted

Chuck has expressed continued despair the few times I've e-mailed him in regards font piracy. His actions are his choice and I hope this becomes something he is happy with. However, just like a overly restrictive EULA, this will surely keep some people from licensing from him. People such as myself, for instance, (and others above) who really do prefer to control their fonts. He has some gorgeous stuff for license, but surely this is a sad day.

Hoefler and House both had installers, but you could still manage the fonts.

Posted

>Sii, I didn’t know the font was going to be protected like this when I bought it. It was not clear to me from LHF’s FAQ, and I feel like I was taken for a bit of a ride here.

Fair enough, but I'd suggest you talk to them. Also glad to see you support not turning Typophile into Typo-H@X0RZ-forum. ;-)

Posted

The ‘can’t embed in a PDF’ would be a show stopper for me, though. That’s absurd.

And, ultimately, bad business. If we can't show clients a pdf proof, or publish the document like that for the web, then I won't buy their fonts.

Talk about cutting off your nose to spite your face....

Posted

These fonts have to be *somewhere*… and if they are, they are extractable.

Not necessarily. My guess is that the LHF app loads the font set into memory (RAM), in much the same way that "opening" an OT font file by clicking loads an individual font on-disk into memory.

For as long as the fonts are loaded into RAM they show up in DTP apps and can be used. When the LHF app is closed down the fonts would be unloaded from RAM and no longer available in DTP apps.

OR there is some encrypting added, which would make the process of extracting the font files somewhat harder.

In a way, probably, the LHF fonts are "encrypted" as code compiled as part of the LHF app's .EXE file (or whatever file(s) comprise the app). Extracting them would be implausible unless the user happens to have decompiler software capable of decompiling the LHF app files into constituant components.

Extracting the fonts from RAM while they're loaded is even more implausible.

What do the rest of you think about where LHF has gone with this?

They appear to have taken serious measures to prevent further piracy of their products, since illegitemate users are very keen on stealing LHF fonts. In that sense it's a measure of how desirable their fonts are, and a rebuttal to the immoral, cynical, interminably immature mindset of those who insist on stealing them.

LHF's hand has been tipped.

The user-end compromises entailed by the solution they've adopted seem impractical to me too, but the people who baulk at it should ask Chuck Davis or Richard Kegler what it's like and how it feels having to clean up the mess every time their fonts are ripped off and posted on the web for free. It's constant, ongoing, and a pain in the arse.

And all because their fonts are popular. The "reward" for making excellent artistically-crafted fonts is a heartache

Put yourselves in Chuck's shoes and see it from his point of view.

This also illustrates the basic fallacy inherent in the digital "media revolution". The bright new future of digital audio, video and graphic arts is open to wholesale abuse.

j a m e s

Posted

It is frustrating, indeed. But I fear Letterhead will see a decrease in sales, not the number of pirated fonts. The right anti-piracy method has not yet been developed, and until then, legitimate customers will suffer. It's best to continue to create and promote great type. Most of the pirates wouldn't buy the fonts anyway.

Posted

jpad, about an internet connection being required to use the LHF fonts. I reinstalled the font earlier today, and during the process Little Snitch did pop up an alert that the installer was phoning home, which I okayed as a one-time event only. The installation progress dialog box also put up a brief mention it was "checking license" or something to that effect during the process. Little Snitch hasn't indicated any further phoning home during use since then.

I have a question: Would it be possible in theory as an alternate antipiracy solution to have some sort of product activation process (like for Adobe's CS2 products) that ties fonts to a particular machine, but still lets you move them around and work with them on your hard drive as you see fit? (Even make backup copies, but your product activation would have to be transferred to another machine or drive if you decided you needed to use them there?) Something like that I could live with. Or does product activation depend on an installation's files remaining stationery on the drive where things were originally installed?

Posted

>I’m glad there are House Industries, Veer, Sudtipos and others…

>If we can’t show clients a pdf proof, or publish the document like that for the web, then I won’t buy their fonts.

Well, that counts out the standard House Industries license - where anything other than PDF to the bureau costs extra. What's better a software solution that stops you from doing things against the EULA, or the EULA you don't read and end up breaking?

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