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Distinguishing differences between a didot and a bodoni

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Posted
This topic was imported from the Typophile platform

I have great difficulty in recognising a didot as against a bodoni.
Could anyone please suggest ways in which one can identify between
the two in the quickest manner. Key characters, maybe ?

Posted

In contemporary types Didones usually have flat serifs and Bodonis usually have tapered serifs. But there are exceptions, because Bodoni’s later types are very similar to Didot family’s work.

Posted

This is almost an odd question to me, since there are relatively few Didots compared to the amount of Bodonis. Frutiger's Didot, H&FJ's Didot and Porchez's Ambroise seem to be the only actual Didots available. Canada Type has their new Didot, but it's self admittedly not a faithful Didot.

Am I completely missing out on some cool Modern types?

Posted

Nick, I have compared quite a few bodonis with didots. I am just yet to figure
out the essence of a didot as against that of a bodoni. In many versions
the serifs of didots are very similar to a bodoni. I know the key charachter
differences, like the lowercase a and g are dead giveaways, but in capitals,
(used in magazine covers) at times I find it hard to tell if it is a bodoni
or a didot, especially when one cant really see if the serifs are flat or tapering.

Posted

One definite difference I just remembered: when a hairline meets a serif (at the top of a U or W, or bottom of an A, for instance), in Bodoni it's bracketed, in Didot it's not.

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