Sam41 Posted April 22, 2009 Posted April 22, 2009 This topic was imported from the Typophile platform I have great difficulty in recognising a didot as against a bodoni. Could anyone please suggest ways in which one can identify between the two in the quickest manner. Key characters, maybe ?
Dunwich Type Posted April 22, 2009 Posted April 22, 2009 In contemporary types Didones usually have flat serifs and Bodonis usually have tapered serifs. But there are exceptions, because Bodoni’s later types are very similar to Didot family’s work.
Sam41 Posted April 22, 2009 Author Posted April 22, 2009 ... and there are Didones with tapered serifs too. Elder Didot is a very curious didone.
Jan Posted April 22, 2009 Posted April 22, 2009 Aren’t the counters of Didots in general rounder than those of Bodonis?
Nick Shinn Posted April 22, 2009 Posted April 22, 2009 I have great difficulty in recognising a didot as against a bodoni. Why not compare the alphabets?
Mark Simonson Posted April 22, 2009 Posted April 22, 2009 Didots tend to have relatively thinner hairlines.
Florian Hardwig Posted April 22, 2009 Posted April 22, 2009 What Nick said. Here's a starter, with the differing details that I find most striking. Always depending on the foundry/size/weight etc., of course. F
Dan Gayle Posted April 22, 2009 Posted April 22, 2009 This is almost an odd question to me, since there are relatively few Didots compared to the amount of Bodonis. Frutiger's Didot, H&FJ's Didot and Porchez's Ambroise seem to be the only actual Didots available. Canada Type has their new Didot, but it's self admittedly not a faithful Didot. Am I completely missing out on some cool Modern types?
Florian Hardwig Posted April 22, 2009 Posted April 22, 2009 Dan: The Didot You Didn't Know Plus those that have no Didot in their names, like FF Holmen or Andreu Balius’ Carmen.
Sam41 Posted April 22, 2009 Author Posted April 22, 2009 Nick, I have compared quite a few bodonis with didots. I am just yet to figure out the essence of a didot as against that of a bodoni. In many versions the serifs of didots are very similar to a bodoni. I know the key charachter differences, like the lowercase a and g are dead giveaways, but in capitals, (used in magazine covers) at times I find it hard to tell if it is a bodoni or a didot, especially when one cant really see if the serifs are flat or tapering.
Frode Bo Helland Posted April 22, 2009 Posted April 22, 2009 Telling a Didot apart form a Bodoni is one of the few ID's I've yet to miss. Not quite sure why.
Miss Tiffany Posted April 22, 2009 Posted April 22, 2009 That "curve" is called bracketing. Most Didots do not have bracketing.
Mark Simonson Posted April 22, 2009 Posted April 22, 2009 One definite difference I just remembered: when a hairline meets a serif (at the top of a U or W, or bottom of an A, for instance), in Bodoni it's bracketed, in Didot it's not.
moare Posted April 22, 2009 Posted April 22, 2009 wow... yes... Bodoni always is more compress and didot more relax.
Si_Daniels Posted April 22, 2009 Posted April 22, 2009 >Am I completely missing out on some cool Modern types? Dan, you're depriving a village somewhere of a didot.
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