Jump to content
Education typography videos. Check out our YouTube channel …

Search the Community

Showing results for tags '19th century'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


The Typography.Guru Forums

  • Public Typography Forums
    • Talk
    • Font Identification
    • Font Downloads
  • Exclusive to Members
    • Type Design Forum
    • Letterpress Forum
    • Calligraphy/Lettering Forum
    • Show
    • Internal
    • Coffee Shop

Categories

  • Artisanal workshops & studios
  • Museums & Libraries
  • Apps
  • Education
  • Organizations
  • Online Typography Resources
  • Educational Video Channels
  • Typography Books
  • Magazines
  • Publishers

Categories

  • Link suggestions
  • Newsletter Archive (1-99)
    • Typography Weekly #1
    • Typography Weekly #2
    • Typography Weekly #3
    • Typography Weekly #4
    • Typography Weekly #5
    • Typography Weekly #6
    • Typography Weekly #7
    • Typography Weekly #8
    • Typography Weekly #9
    • Typography Weekly #10
    • Typography Weekly #11
    • Typography Weekly #12
    • Typography Weekly #13
    • Typography Weekly #14
    • Typography Weekly #15
    • Typography Weekly #16
    • Typography Weekly #17
    • Typography Weekly #18
    • Typography Weekly #19
    • Typography Weekly #20
    • Typography Weekly #21
    • Typography Weekly #22
    • Typography Weekly #23
    • Typography Weekly #24
    • Typography Weekly #25
    • Typography Weekly #26
    • Typography Weekly #27
    • Typography Weekly #28
    • Typography Weekly #29
    • Typography Weekly #30
    • Typography Weekly #31
    • Typography Weekly #32
    • Typography Weekly #33
    • Typography Weekly #34
    • Typography Weekly #35
    • Typography Weekly #36
    • Typography Weekly #37
    • Typography Weekly #38
    • Typography Weekly #39
    • Typography Weekly #40
    • Typography Weekly #41
    • Typography Weekly #42
    • Typography Weekly #43
    • Typography Weekly #44
    • Typography Weekly #45
    • Typography Weekly #46
    • Typography Weekly #47
    • Typography Weekly #48
    • Typography Weekly #49
    • Typography Weekly #50
    • Typography Weekly #51
    • Typography Weekly #52
    • Typography Weekly #53
    • Typography Weekly #54
    • Typography Weekly #55
    • Typography Weekly #56
    • Typography Weekly #57
    • Typography Weekly #58
    • Typography Weekly #59
    • Typography Weekly #60
    • Typography Weekly #61
    • Typography Weekly #62
    • Typography Weekly #63
    • Typography Weekly #64
    • Typography Weekly #65
    • Typography Weekly #66
    • Typography Weekly #67
    • Typography Weekly #68
    • Typography Weekly #69
    • Typography Weekly #70
    • Typography Weekly #71
    • Typography Weekly #72
    • Typography Weekly #73
    • Typography Weekly #74
    • Typography Weekly #75
    • Typography Weekly #76
    • Typography Weekly #77
    • Typography Weekly #78
    • Typography Weekly #79
    • Typography Weekly #80
    • Typography Weekly #81
    • Typography Weekly #82
    • Typography Weekly #83
    • Typography Weekly #84
    • Typography Weekly #85
    • Typography Weekly #86
    • Typography Weekly #87
    • Typography Weekly #88
    • Typography Weekly #89
    • Typography Weekly #90
    • Typography Weekly #91
    • Typography Weekly #92
    • Typography Weekly #93
    • Typography Weekly #94
    • Typography Weekly #95
    • Typography Weekly #96
    • Typography Weekly #97
    • Typography Weekly #98
    • Typography Weekly #99
  • Newsletter Archive (100-199)
    • Typography Weekly #100
    • Typography Weekly #101
    • Typography Weekly #102
    • Typography Weekly #103
    • Typography Weekly #104
    • Typography Weekly #105
    • Typography Weekly #106
    • Typography Weekly #107
    • Typography Weekly #108
    • Typography Weekly #109
    • Typography Weekly #110
    • Typography Weekly #111
    • Typography Weekly #112
    • Typography Weekly #113
    • Typography Weekly #114
    • Typography Weekly #115
    • Typography Weekly #116
    • Typography Weekly #117
    • Typography Weekly #118
    • Typography Weekly #119
    • Typography Weekly #120
    • Typography Weekly #121
    • Typography Weekly #122
    • Typography Weekly #123
    • Typography Weekly #124
    • Typography Weekly #125
    • Typography Weekly #126
    • Typography Weekly #127
    • Typography Weekly #128
    • Typography Weekly #129
    • Typography Weekly #130
    • Typography Weekly #131
    • Typography Weekly #132
    • Typography Weekly #133
    • Typography Weekly #134
    • Typography Weekly #135
    • Typography Weekly #136

Categories

  • Free Font Lists
  • Font alternatives
  • Fonts by topic/style
  • Fonts by region
  • Signage Fonts
  • Fonts by User

Categories

  • How to choose and pair fonts
  • Understanding Kerning & Tracking
  • How to use OpenType in InDesign
  • Font Licensing 101
  • How to use color fonts
  • Variable fonts for graphic and web designers
  • Typography on Apple devices

Categories

  • Hall of Fame
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Job


Location

Found 1 result

  1. Stanley Morison argues in Politics and Script that the nineteenth-century invention of the sans serif lowercase was no less than ‘the most novel and permanent contribution to letter-design that has appeared on the printed page since the Aldine Italic of 1501’. Given that the sans serif has become the dominant typographic form of the past century (for all but lengthy text setting, and sometimes even for that too), it is more than a little surprising that its early development in the century prior — from a brutish all-caps poster style into a viable upper- and lowercase text style — has scarcely been studied or documented. This talk will trace its evolution as uncovered to date by a primary-source research project in progress. Sara Soskolne is senior designer at Hoefler & Co. Though originally a graphic designer in her home town of Toronto, after ten years of apparently never being able to find quite the right typeface for the job she finally decided to just learn how to make them herself, jumping careers and an ocean to study typeface design at the University of Reading where she earned her MA in the subject in 2003. Since joining H&Co she has contributed to the design of a wide range of typefaces including Verlag, Chronicle, Sentinel, Gotham, Tungsten and Quarto. She has taught typeface design at the Yale School of Art, at New York’s School of Visual Arts, and with Sumner Stone was a founding instructor of the Type@Cooper Condensed Program.
Check out our typography merch store.
×
×
  • Create New...

Important Information

We are placing functional cookies on your device to help make this website better.