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Found 7 results

  1. This A-Z will give you examples on what variable color fonts can do for your typography: To enhance your storytelling, emphasise subjects or brighten up your texts.
  2. “The goal of this site is to show you how variable fonts tick. Discover how they can benefit user interface (UI) design, accessibility, and long-form reading, and how they push the boundaries of skillful typographic expression on the web.”
  3. David Johnathon Ross designed a beautiful slab typeface called Gimlet, later he produced the X-Ray version which comes with vector handles and an animated page which shows the inner workings of the variable font in action at different widths and weights. A fascinating inside look into the world of type design, vectors and beziers. https://djr.com/gimlet-xray/
  4. For its tenth anniversary, Google Fonts revamped its website and added support for variable fonts.
  5. The new OpenType variable font format will redefine what it means to make and use a typeface family; in this new format, a single font file can contain multiple weights, widths, optical sizes, and more! I will discuss the development of type families in the 20th and 21st centuries, and share my own experience creating large series of type. I will illustrate why variable fonts have the potential to influence this creative process, and in doing so how they may affect the relationship between type maker and type user. David Jonathan Ross draws letters of all shapes and sizes for custom and retail typeface designs. A native of Los Angeles, He began drawing typefaces at Hampshire College and joined The Font Bureau in 2007 where he honed his bézier-wrangling skills. Now he publishes his designs at his own foundry, DJR, as well as working on projects with Type Network and developing display faces for his Font of the Month Club. You’ll find him in Western Massachusetts with his partner Emily and their two dogs, Sophie and Lily.
  6. An OpenType variable font is one in which the equivalent of multiple individual fonts can be compactly packaged within a single font file. This is done by defining variations within the font, which constitute a single- or multi-axis design space within which many font instances can be interpolated.
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