“Marshmallow is a fun, fat, super high-contrast script typeface in two variants. A slick connected (Script) and a mellow unconnected (Fluff) style that provides the versatility you need regardless of the display usage you plan.”
“This is a full-time position at Frere-Jones Type’s office in Brooklyn, New York. The position centers on the design, production and demonstration of new digital typefaces, under the direct supervision of Tobias Frere-Jones.”
An online library dedicated to the work and teaching of graphic designer Jock Kinneir has been launched by his family – and they are seeking submissions from people who knew him
“ I dived into the history of japanese typography, focusing on the figure of Motogi Shōzō. As there are only few sources in english or in french about the development of japanese typography, I want to share here some of the elements I discovered.”
“The concept behind Thesaurus goes back to 2014, when I was finishing my bachelor’s degree in visual communications at the Haute École d’Art et Design, Geneva …”
Join the global typographic community in Montréal, Quebec, Canada, September 12–16, 2017. ATypI is celebrating sixty years of typographic education and camaraderie this year.
In this interview, Barnbrook talks about early digital type design, what he looks for in submitted typefaces, and the role of the FontFont type library.
This website aims to be your one-stop place to learn everything about color fonts, to discover the latest and best color font designs, and to bring you more stories about the people behind them. Colorfonts.wtf is a project sponsored by the Fontself team
TypeMedia is a full-time one year master program held at The Royal Academy of Art, in The Hague, The Netherlands, that gives participants the possibility of delving deeper in the field of type design.
