Eusebius: The One True Jenson?

[Member qua…]

This topic was imported from the Typophile platform

I'm happy to see that Spiece Graphics has its typeface Nicolas Jenson SG available.

In my opinion - and is this perhaps just me, or is there some validity - nearly all the "Jenson" typefaces seemed to me to be typefaces very distinct from Jenson's original typeface; whether those named "Jenson", or Centaur, Cloister Old Style, Jenson Old Style, and so on. Even though they were all good typefaces, they belonged in the larger category of Italian Old Styles - none seemed to me to really be a "revival" of Jenson, if one applied the same standard to them as one would to a revival of Garamond, Baskerville, or Caslon.

The only one that seemed to me to be a version - yes, "trued up", but otherwise it wouldn't have been usable - of Jenson's actual original typeface was Eusebius, by Robert H. Middleton and Ernst Detterer for Ludlow.

[Member rs_…]

It is very difficult to replicate the true texture of a renaissance typeface with modern printing methods without looking cartoonish.

[Member Nic…]

My Goodchild is quite faithful, if you overlook the ITC-style x-height!

[Member qua…]

A large x-height is a good thing; that reminds me of the news item about a Texas newspaper that commissioned an oldstyle typeface, making itself rather unique in that field.

Looking at it, though, I didn't get a Jenson "feel", but I may not have looked carefully enough. It looked like Palatino Book (oops, sorry, Aldus) if anything at first glance. With a Times or Corona level x-height, though, it's hard for a layman like myself to see the essence beneath the surface.

[Member hra…]

I think x-height is over-rated.

hhp

[Member Nic…]

I didn’t think that Houston Jenson was particularly old style—it doesn’t have a Venetian “e”, for instance, IIRC.
Goodchild was conceived as a news face, and has been used by Tony Sutton on a number of occasions.
Here it is compared with the original.
I opened the counters up, as news text is much smaller than Jenson’s type.

 

Bear in mind that there is some variance in Jenson’s glyphs as printed.

[Member qua…]

Thank you for making your typeface's closeness to the original Jenson more apparent. Although that top serif on the lowercase h was corrected to meet current practice (which makes sense to avoid startling newspaper readers), it's now clear to me that this is indeed quite authentic.

[Member hra…]

> startling newspaper readers

I don't think that happens.
Look at the Houston Chronicle face, a Venetian: http://www.christianschwartz.com/houston.shtml
It might seem like a caricature, but at small sizes and lo-fi conditions it really clicks.

hhp

[Member qua…]

@hrant:
The additional information on that page was interesting. So this all came about as an accident - the face wasn't initially requested, but it was made due to a mix-up, and it turned out to work better than any of the ordinary faces!

And Jenson Oldstyle, even if it owes more to Morris than Jenson, is a nice face for headings and headlines.

[Member rs_…]

Quite close, a bit wider, a bit bigger x height, a bit less contrast and without the slight slant. Good for news!

[Member Nic…]

Guess I remembered wrong about the e.

[Member Jen…]

quadibloc, I'm not sure what's your definition of a "true" revival – one that's adapted to current standards, usability requirements or one that's as close to the original as possible? For what it's worth, there's also Jenson Eusebius by Richard Beatty, which in my opinion may be too close to the original to be of great use today, with its weird flying i dots, crippled R and other irregularities.

[Member ken…]

Nick — You weren’t completely wrong. The Venetian e was retained in Houston Display and Houston Deck styles, but changed for the Text versions.

Here’s a bit about the Houston Chronicle redesign from a 2004 FB promo piece:

 

[Member Ama…]

{to follow}

Because I'm using a GoldenType-inspired typeface for stuff, but I'm concerned that it may not work well in certain situations. Some of its... personality... may be overstated, and it's x-height is ...unfashionable.

Quirks that your Goodchild... "corrects."

I still like a curly-tailed /y/, though. Even if it's "inauthentic." I'll look to see if your typeface has alternate characters.

[Member hra…]

Amado, minor point: something like that "{to follow}" is a low-tech tracking mechanism - it only makes sense when it's the only (and first) thing you post to a thread. (And once we have a proper "following" mechanism it won't be useful at all.)

hhp

[Member Wil…]

As I argued here, I think the pursuit of 'authenticity' is a snare. You can try to capture features of any of the old types, but trying to mimic the look you end up with a type that is only of antiquarian interest. Jenson is one of the greatest types, and people keep trying to capture its magic in different ways and with varying success.

My own view is that they need to be evaluated each on their own merits, whether it's Centaur, Goodchild, Adobe Jenson, Eusebius, or whatever.