Nasty Impact

[Nick Shinn]

This topic was imported from the Typophile platform

In the interests of fairness, isn't it about time Impact got the beats?
After all, other types made ubiquitous by bundling, such as Comic Sans, Papyrus, Trajan and Arialvetica have been roundly dissed for overexposure.
Only trouble is, it could prove difficult to find an alternative with suitable, er, impact, especially considering Impact's barely-protruding descenders.
Suggestions, anyone?

[Jackson]

Isn't impact just a copy of helvetica inserat?

[Stephen Coles]

Oh there are plenty of alternatives.

Very similar, but not nearly as overused:
Hadrian
Aura
Swiss 924
Helvetica Inserat, Compressed, Extra Compressed, and Ultra Compressed
Anzeigen Grotesk
British Inserat
Haettenschweiler (often mistaken for Impact, but much more square. Bundled with MS Office and other Microsoft products so also prone to overuse.)

Further afield, but equally bold, compact, and short in the descender:
Compacta
Balboa
Placard
Aurora
Bigticy
Permanent Headline (no descenders!)

Not so short in the descender, but equally powerful condensed headline grots:
California Grotesk
ITC Roswell
Bureau Grotesque
Knockout
Champion Gothic

[Stephen Coles]

Isn’t impact just a copy of helvetica inserat?

Not at all. Geoffrey Lee, the designer himself, joined a Typophile discussion a couple of years ago to talk about its origins. I gained some more respect for the face and was reminded that its over- and misuse is mostly due to bundling.

[Don McCahill]

It is a great face for dealing with retail advertising, which I once did (and overdid, using Antique Olive Bold). The customers (or is it just the ad space salesmen) were always crying for a bolder, blacker font. You can't get much more black on the page than with Impact.

[dezcom]

I have been working on such a face. It is in very early stages. For now it is called "Big Squeeze":

ChrisL

[dan_reynolds]

Wait, is this "yet another" new design you are working on?

I work hard, Chris, all day, and all too often most of the night. I can't touch your productivity, though ;-)

[Jackson]

That's incredible. Thanks for the link, Stephen.

[Bobby Henderson]

Dezcom, that new design reminds me a little of a very bold and compressed MM instance of Briem Akademi, but more readable and not quite so technical looking as that MM face.

On the subject of Impact, I got pretty sick of it years ago. It does serve its purpose well but if I need to use a face like that I normally select a weight of Compacta or one of the compressed weights of Helvetica instead.

[dezcom]

Thanks Dan and Bobby.
Here is a file with the 3 variations in width that I have so far. One is called "Tight Squeeze", followed by "Main Squeeze" and "Tight Squeeze"

ChrisL

PS: with this, I will stop hijacking Nick's thread.

[ill sans]

In all honesty, I actually still like Impact, but I do use Compacta more frequently. Saw some nice alternatives in Stephen's list & can't wait to see the finished Squeeze from Chris.
I also like Qhytsdakx, a free font on Dafont quite a lot.

http://www.dafont.com/search.php?q=Qhytsdakx

[wormwood]

"In the interests of fairness, isn’t it about time Impact got the beats?"

Here, here, I agree. Impact is like so totally lame.

What's needed is an easy scapegoat to blame for all the crap typography in the world. We should form a lynch mob and pay www.ascendercorp.com a visit.

Its gotta be a step in the right diretion. Well, it'll make me feel better anyway.
;)

[Stephen Coles]

Wormwood - The root of bad type choices is in the bundling of fonts in operating systems and software. 99% of the Impact you see in use came from the fonts included with Windows or Office or OS X. Ascender didn't infect the world with Impact, that happened long before they bought the rights to license it to other chumps.

[dezcom]

Illsans, Dan, and Bobby,

I will be posting my progress on "Squeeze" here in the Critique area:

https://typography.guru/forums/topic/37326-forwarding

ChrisL

[wormwood]

Stephen, you don't think i was being serious, do you? I was just lampooning the whole font bashing thing. I sould have made my ;) winking smiley bigger.

Bundling fonts with software is to be expected, and Windows et al have an adequate range for most peoples needs.

I think Impact is an OK font, just not my choice for anything. So is Comic Sans come to that, as long as it's used in the right context, ie a cartoon speech bubble and not a business letter or funeral service.

Arial is only commonplace because someone didn't want to pay for the rights to Helvetica and the unrefined masses can't tell the difference anyway.

But hey, we shouldn't get snobby, it's the price to be paid for typographic liberation.

[Bobby Henderson]

Cool, Chris. I'll check out that thread.

On font bundling, sure the mere availability of computer-based fonts allows for misuse. But that's true for every creative application ever sold for a computer -at least one that was priced at any somewhat affordable level. What do we do about it? Price fonts and any application that can handle them well out of reach of most people?

I'll offer what I think is the root of the problem: our education system.

There were penmanship courses in the past. Sometimes the garden variety art course in high school would delve into calligraphy. High schools have taught typing. But what are they doing that is appropriate for today? I think schools need to offer some basic page layout courses that include some basic coverage of typography.

Just from the simple standpoint of putting together a résumé regular people aren't given much of a clue on what is appropriate for business communication. They are left on their own to guess.

Even if operating systems and office productivity suites had their font bundles removed, we would still see lots of bad type happening.

A lady I know who makes banners and other "fast sign" stuff in my town has really horrid taste in type. But she has fun doing what she's doing and other people are stupid enough to pay her for it. The awful nature of her work comes from a lack of design sense (or talent for that matter) in knowing what kind of fonts can work well with each other. She downloads lots of freeware fonts at various free font sites and comes up with some really strange combinations.

I think most people know good typography when they see it. They know the page looks better, but don't know how to break down the mechanics on why the page looks better.

In the end good designers have to look at the situation as being more of an opportunity rather than a problem, work harder and use the imbalance to get more work for themselves. The most loyal customers tend to be the ones who are educated enough to understand the difference.

[Stephen Coles]

Worm - I failed to recognize the winky and now I'm embarrassed!

[NigellaL]

Maybe this is just a case of something being popular because it's good, or bundled because its popular? I like some of stephen's suggestions but none of them quite thump you in the head the way Impact does. Well maybe Compacta but it's not as readable. the Impact ampersand is rubbish though. House Gothic is quite cool too even though it's a bit disco for my everyday work. (and Squeeze looks like a naff version of it.)

[Stephen Coles]

Good sometimes, but less effective when it's seen so often. Here are some more from Font Bureau:

Tasse

Titling Gothic

Rhode

[paul d hunt]

I quite like Tourist Gothic for something bold and condensed.

[Stephen Coles]

Nice, Paul. I missed that release. The alts are cool, but a pity that the caps are so much heavier than the lc. Artifact of the metal type I suppose.

[John Nolan]

Nice preview, Paul. Law italic is pretty cool too!

[Nick Shinn]

Lotsa contenders Stephen, but dare they go head to head with the Big Imp?

Those last few look OK until you see how big on the body Impact is, and how truly stunted its extenders are. I don't have any of those three on hand, but here's Impact vs. Helvetica Black Condensed at the same point size, to illustrate the two features I mentioned.

[NigellaL]

To REALLY get the effect of Impact, you have to set it with no leading! That's how I like it best. (Can somebody else make a preview of this? I can't be bothered to figure out how to add an image to my message because I don't see a button for it). Do any of you experts know why there's no italic?

[Stephen Coles]

Because an italic would look bad.