Riccardo Sartori Posted June 23, 2011 Posted June 23, 2011 it still has to look like an ampersand first Which, itself, is arguably the most eclectic glyph there is, appearance-wise.
Bendy Posted June 23, 2011 Posted June 23, 2011 >it still has to look like an ampersand first How about something like this?
hrant Posted June 23, 2011 Posted June 23, 2011 You've just given me an idea: start with the Fleischmann-style "y"... hhp
quadibloc Posted June 23, 2011 Posted June 23, 2011 As there are other languages in which the word for "and" is one letter long, I thought of suggesting y + и + &, and, in fact, the и can even be made into a unifying design element... I am still dubious, as it would seem to only make sense if the ampersand was meaningful and used with some frequency in the languages in question. But there may be some bilingual display contexts where such a symbol might have some use...
hrant Posted June 23, 2011 Posted June 23, 2011 > And one even more difficult, for us poor Italians: a merge between "&" and "e". From a magazine ad for the Tiffany & Co. in Manhattan: hhp
Gunarta Posted June 23, 2011 Posted June 23, 2011 may be like this. the Y one. It is inspired by Hiragana. I edit Times New Roman y (italic) and edit it.
quadibloc Posted June 24, 2011 Posted June 24, 2011 Trying to improve on my compound symbol that also included the Russian word for "and", I obtained and doing so revealed to me where a "y" was hidden in the ampersand, and so, for the original notion, I obtained
Riccardo Sartori Posted July 3, 2011 Posted July 3, 2011 It would be easier using the Tironian et! ;-) Also:https://typography.guru/forums/topic/22521-forwarding
rs_donsata Posted October 30, 2012 Posted October 30, 2012 Yeah, it's funny how the & is now perceived in Spain and Latin Amercia as an English glyph when it's also natural and correct in Spanish. A simple and Spanish friendly variation of & could be achieved by placing the Y's fork on the tail of the ampersand by separating the leg from the upper bowl.
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