Member Chr… Posted May 30, 2009 Share Posted May 30, 2009 This topic was imported from the Typophile platform When you're wearing your pine pyjamas, what typeface do you want them to use on your tombstone? I'm going with Linotype Univers® 530 Basic Medium. And Adrian, if you're out there, please design some small caps and old-style figures for Univers. Link to comment
Member sas… Posted May 30, 2009 Share Posted May 30, 2009 This caught my eye for another reason entirely, but you might enjoy what it reminded me of. This guy Samuel Bean designed his wive(s) tombstones as a cryptogram. I found a picture of it in some typography book (maybe it was a Lupton book?) forever ago and I'm in love with it. http://www.waterlooogs.ca/cemeterypics/RushesCemetery.html But to answer your question I sure hope mine is set in Mrs. Eaves. Link to comment
Member Joh… Posted May 30, 2009 Share Posted May 30, 2009 Typeface on my tombstone? No thank you. http://www.memorialsbyartists.co.uk/home/ Link to comment
Member Chr… Posted May 30, 2009 Author Share Posted May 30, 2009 You be surprised at how strict graveyards are about tombstone design. If you want a uniquely beautiful tombstone, you'd better search for an accepting graveyard first. However, they all seem to accept tacky, gaudy or painfully sappy designs. Link to comment
Member Dav… Posted June 1, 2009 Share Posted June 1, 2009 I don't care what will be my tombstone type, for I don't believe in afterlife, so why should I. dr Link to comment
Member dtw… Posted June 1, 2009 Share Posted June 1, 2009 @DavidR: Posterity. You won't be there to look at it, but other people will. Wouldn't you like (now) to think that in the future they will see something stylish and think, "Ah yes, that was typical of him..."? Otherwise, you might similarly ask "What's the point in looking after the planet?" Link to comment
Member Dav… Posted June 2, 2009 Share Posted June 2, 2009 Yes, actually, what's the point? Link to comment
Member And… Posted June 2, 2009 Share Posted June 2, 2009 John Hudson: “Typeface on my tombstone? No thank you.” Disillusioned? Link to comment
Member wil… Posted June 2, 2009 Share Posted June 2, 2009 Were I to have a tombstone, it'd be cut by Christopher Stinehour of Berkeley, California. I know he'd not use any existing typeface, but cut letters just for that particular stone. & I'd not want to see any of it before I perish. powers Link to comment
Member Chr… Posted June 2, 2009 Author Share Posted June 2, 2009 Courtesy of my supervisor, Dr. Raymond Klein. Link to comment
Member Joh… Posted June 2, 2009 Share Posted June 2, 2009 Andreas: Disillusioned? Typography is a technology for the reproduction of text. Since a tombstone is a unique production, both in terms of being a singular material object and containing text that is relevant only to the individual there interred, typography strikes me as an inappropriately generic and industrial technology. Alaskan: You be surprised at how strict graveyards are about tombstone design. This is certainly true in large urban and suburban cemeteries. In North America, many places allow only flat, cast memorial plaques on concrete bases, so as to make it easier to cut the grass. Thankfully, my local cemetery isn't like that. Link to comment
Member Mis… Posted June 2, 2009 Share Posted June 2, 2009 I am with Will and John on this one. I want something carved into stone. Link to comment
Member par… Posted June 2, 2009 Share Posted June 2, 2009 http://www.flickr.com/photos/joeshlabotnik/318130156/ Link to comment
Member jb_… Posted June 3, 2009 Share Posted June 3, 2009 Correction: They’re called monuments or memorials. It’s only a tombstone if it is on a tomb, which is a large vault, which is different from a grave. Also, the correct word is “cemetery,” not “graveyard.” I may be an enthusiastic computer nerd amateur in the world of typography and design, but I was a professional in the world of monuments. I spent four summers of my youth working at my family’s funeral home, installing them in cemeteries (along with many other kinds of chores that you probably don’t want to read about here). And my brother is a regional manager for a major Canadian memorials company. And I live half a block from one of the biggest cemeteries in Calgary. My brother used to have his own firm, before he (happily) sold it to the company he now works for. He used software called “MonuCAD” for the designs. Letters are (generally) sandblasted into the rock, not carved. Monument production is quite, quite industrial. Could you have guessed that I’m a member of the Facebook group “You know you grew up in a Funeral Home if....”? Jim Tubman Calgary, Alberta, Canada "The Stampede City" P.S. Has anyone seen a monument done in Comic Sans? Link to comment
Member IEU… Posted June 8, 2009 Share Posted June 8, 2009 I make my living entirely from commissioned lettering and calligraphic work in Wales, UK and in recent years the request for hand carved headstones has increased enormously. The reason is that more and more people are getting fed up with the cold typographical approach of most monumental masons and they want to have something more personal and unique. I can carve any typeface but type faces for 2D rarely work on stone due the influence and direction of light on the v-cut incision and most are not sympathetic to the chisel, wrist movement nor to the stone. Letters suitable for carving are usually too heavy for typefaces as the horizontal lines in particular need to be heavier as the shadow reduces their weight. The weight of the letters will depend on which direction the stone faces and how much light falls on them and if there are any trees or buildings around that would prevent enough light to come through. Every headstone I design and carve is individually considered for the needs of the family and its location and often I need to personalize the letters and working with typefaces would restrict creativity and individuality. If you are interested to see some of my headstones and other work please visit my web site: www.ieuanreeslettering.co.uk Ieuan Rees Link to comment
Member Ed_… Posted June 9, 2009 Share Posted June 9, 2009 @IEUAN REES: I browsed your website, and that is some remarkable work you've done! I can't imagine working with a medium as unforgiving as stone. Artists who were born into the digital age I believe become spoiled by the option to undo a mistake at the click of a button. Stone, more so than anything other medium, I would imagine requires the artist to work under the pressure of consequence for a bad decision or a slip of the hand. Link to comment
Member rs_… Posted June 9, 2009 Share Posted June 9, 2009 No tombstone. Bury me on the woods and plant a tree over my guts. You can name the tree after me. Héctor Link to comment
Member Joh… Posted June 14, 2009 Share Posted June 14, 2009 Given my views on what Jim Tubman rightly describes as ‘industrial’ production of monuments with sandblasted lettering, I was bemused to receive today this image from Maxim Zhukov, showing my Sylfaen Cyrillic type used on a stone at the Troekurovo Cemetery in Moscow. Link to comment
Member dbe… Posted June 15, 2009 Share Posted June 15, 2009 "When you die, what typeface do you want them to use on your tombstone?" Them? Cheers! Link to comment
Member Chr… Posted July 8, 2009 Author Share Posted July 8, 2009 A tree as a tombstone. I think planting a tree as opposed to erecting a stone is beautiful. Link to comment
Member Chr… Posted July 30, 2009 Author Share Posted July 30, 2009 I thought Wikipedia's definition of epitaph might be of interest. Link to comment
Member Chr… Posted October 29, 2010 Author Share Posted October 29, 2010 Cross posted from German gravestone c. 1971. Link to comment
Member rus… Posted October 29, 2010 Share Posted October 29, 2010 some photos I took recently at Toronto's Necropolis: stick letters - a popular theme Cast Iron letters mounted on a wrought iron gate. A complete and utter mystery. CCC ligature! These letters are cast lead inlaid into the stone. there are quite few tombstone from the same era around here with similar cast lead inscriptions, which possibly suggests that monument makers of the day could order them out of a catalog, which in a way makes it type. More lead 'type' from the same stone. I like the TH ligature. This one, from an older stone shows some mounting details. Link to comment
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