Chris Dean Posted March 15, 2013 Author Posted March 15, 2013 Nice catch. I didn’t have time to read that in full today.
hrant Posted March 15, 2013 Posted March 15, 2013 My choice was Fenland*: http://typographica.org/typeface-reviews/fenland/ * https://typography.guru/forums/topic/101425-forwarding hhp
Té Rowan Posted April 5, 2013 Posted April 5, 2013 Managed to get my inner densha-otaku to give up the notch for long enough that I could do a rough write-up of what's new/updated at CAT Design: Typeface: Alpha54 Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 2.000 Format: TTF Licensing: GPLfx,OFL Designer: Konrad F. Bauer, Walter Baum, Peter Wiegel Description: Italic brush writing Typeface: Beta54 Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 2.000 Format: TTF Licensing: GPLfx,OFL Designer: Konrad F. Bauer, Walter Baum, Peter Wiegel Description: Oblique brush serif Typeface: Bienchen SAS Fonts: 2: Rg/RgI Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 0.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: East German school handwriting Typeface: Boecklins Universe Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 1.000 Format: TTF Licensing: OFL Designer: Peter Wiegel Description: Multilingual Boecklin. Typeface: Deutsche Normalschrift Fonts: 2: Rg/RgI (Italic is alternates) Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 0.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: First Latin-style schoolhand in Germany Typeface: Gotisch Weiss UNZ1A Fonts: 2: Rg/RgI (Italic is Antiqua caps and alternates) Foundry: CAT Design Home: http://peter-wiegel.de/ Version: ? Format: TTF Licensing: ? Designer: Emil Rudolf Weiss, Peter Wiegel Description: Blackletter, Dürer feel. Typeface: Imrans School Fonts: 2: Rg/RgI Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 000.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: Latin schoolhand for an NP project in India Typeface: Imrans School 2 Fonts: 2: Rg/RgI (Italic is alternates) Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 000.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: Latin schoolhand for an NP project in India Typeface: Ottilie U1AY Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 1.000 Format: TTF Licensing: OFL Designer: Uwe Naumann, Peter Wiegel Description: Kurrent handwriting, pen-style Typeface: Rastenburg U1SY Fonts: 6: Rg/Bd, Schraeg(Rg/Bd), Outline(Rg), Band(Rg) Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 0.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: Kurrent handwriting, round marker Typeface: Rastenburg Band Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 1.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: Outlined Rastenburg with minuscules on a black band Typeface: Simple Print Fonts: 1: Rg Foundry: CAT Design Home: http://peter-wiegel.de/ Version: 000.000 Format: TTF Licensing: GPLfx,OFL Designer: Peter Wiegel Description: School block writing Typeface: Tartlers End Fonts: 1: Rg? Foundry: CAT Design Home: http://peter-wiegel.de/ Version: ? Format: VFB Licensing: OFL Designer: Peter Wiegel Description: Very thin serif, bit of a hippy
Té Rowan Posted April 5, 2013 Posted April 5, 2013 Naw. Weigel prefers dualling the GPL with font exception with the OFL. No idea if he knows of Apache or BSD, or if they even suit his model.
Té Rowan Posted April 13, 2013 Posted April 13, 2013 Seems that Google is changing UI fonts again, this time to the Noto Sans/Serif bought in from Monotype; and that they're relicensing the ChromeOS Core fonts as Apache, probably to have all of their fonts under the same licence.
chrisburton Posted April 14, 2013 Posted April 14, 2013 It would be great if there was a site to publish this list to that was categorized and had a search function.
hrant Posted April 14, 2013 Posted April 14, 2013 Go Google! Respect. They might have realized what I recently realized: Apache is more magnanimous, more inclusive, more socially just, more open than something like OFL. In any case it no longer makes sense to cast Apache as a deprecated has-been. Related:https://typography.guru/forums/topic/109972-forwardinghttp://www.typophile.com/node/101655 hhp
Té Rowan Posted April 14, 2013 Posted April 14, 2013 The list is WTFPL'd -- you can do Whatever The F* you want with it. Edit: The ChromeOS set was Google's only non-Apache-licensed set, if I recall correctly.
hrant Posted April 14, 2013 Posted April 14, 2013 ? Aren't most Google fonts OFL (or equivalent)? hhp
Té Rowan Posted April 15, 2013 Posted April 15, 2013 When I think of Google's Own fonts, I think of those fonts whose copyright Google holds; mainly the Android and ChromeOS fonts. Aside: Noto looks to me like an updated Droid.
hrant Posted April 15, 2013 Posted April 15, 2013 Same here, although Matteson says it's a "renaming of Open Sans". hhp
vernon adams Posted April 16, 2013 Posted April 16, 2013 Can someone call Mathew Butterick to the forum please before it's too late? Folks are not using the term 'open source' correctly. Civillisation as we know it could be in peril.
hrant Posted April 16, 2013 Posted April 16, 2013 The only gray area in my own mind is whether to restrict the term "open-source" to fonts that could have been entirely produced with free* software. From what I can tell this is why some people don't feel Source Sans is open-source. The alternative is to call a font open-source as long as you don't need permission to distribute a modification. So maybe we need a different term for the former: opener-source. :-) * Or does it have to be open-source too? :-) hhp
Chris Dean Posted April 16, 2013 Author Posted April 16, 2013 Is this not accurate? http://en.wikipedia.org/wiki/Open_source
Té Rowan Posted April 16, 2013 Posted April 16, 2013 Noto Sans does look a good deal like Open Sans, but Noto Serif looks a right big lot like Droid Serif. Personally, I do not care if others use payware tools or not; as long as I can use and hack on something to my heart's content and give/sell the result to others, I consider that something open source. To me, a TTF/OTF file is tokenised source, such as GWBASIC would normally save.
Karl Stange Posted April 17, 2013 Posted April 17, 2013 I doubt that anyone is looking to this thread for a definition of what open source is and is not in the larger world (apologies if you are). At best this serves as a useful discussion of the limiting factors of applying a philosophical model that was never conceived of to address the needs of type designers and font users. The OFL was conceived of to try and address the needs of designers, developers and users that wanted an open model which prevented restrictions, removed some of the ambiguity inherent in applying established licensing models (to something for which they were not intended) and promoted the underlying philosophy, without worrying about commercial considerations. Perhaps this could lead to another custom license, following the Apache model but focusing on type/fonts? The Typophile Apache Licence (TAL), anyone? : )
hrant Posted April 17, 2013 Posted April 17, 2013 I can dig that. So exactly how does the existing Apache model not serve type well? hhp
Karl Stange Posted April 17, 2013 Posted April 17, 2013 So exactly how does the existing Apache model not serve type well? If you are using it and happy with it then I suppose that it does, but as it is not explicitly designed around type and the ways that type can be used then it is possible that it will fall short in some respect. I suppose that interpretation of section 3. 'Grant of Patent License' is confusing enough that I would not be comfortable taking advantage of it in a commercial capacity unless I was clear on the lineage of the typeface and the contributions made to it, basically, I would want to know where it had been.
Té Rowan Posted April 28, 2013 Posted April 28, 2013 My inner tetsu-ota found something to bounce all over his padded cell over: Typeface: 5by7 Fonts: 2: Rg/Bd Foundry: CAT Design Home: http://peter-wiegel.de/ Version: ? Format: TTF Licensing: OFL Designer: Peter Wiegel Description: Proportional matrix L/G/C font based on a 5×7 LED matrix
Té Rowan Posted May 19, 2013 Posted May 19, 2013 Should anyone care to venture here…http://googlefontdirectory.googlecode.com/hg/apache/ …there is now a RobotoSlab to be had, both raw and autohinted. The address, by the way, is that of Google's Mercurial repository, Apache division.
vernon adams Posted May 19, 2013 Posted May 19, 2013 @Karl Stang The OFL was conceived of to try and address the needs of designers, developers and users that wanted an open model which prevented restrictions, removed some of the ambiguity inherent in applying established licensing models (to something for which they were not intended) and promoted the underlying philosophy, without worrying about commercial considerations. Perhaps this could lead to another custom license, following the Apache model but focusing on type/fonts? The Typophile Apache Licence (TAL), anyone? : ) I wonder if the OFL is a little too slightly a product of it's specific origins. It's need was to promote the spread of freely useable fonts. That need was tied to SIL's work to promote the spread of freely available [religious] texts. There was naturally less of a need to protect the designs themselves. I would like to see an OFL (or OFL like license) that is stronger in it's protection of free fonts from the potential dangers of other designers or foundries taking free fonts (or parts of them) and privatising them.
hrant Posted May 19, 2013 Posted May 19, 2013 Since there now are virtually no barriers (well, besides talent and time :-) to creating good free fonts, I believe blocking people from making money from fonts actually reduces social justice. For example somebody can make an Armenian extension to Roboto Slab and give it away, while I can make one and sell it, and people can freely choose the free one or the good one. :-) No hard feelings, and everybody is happy. If I weren't allowed to make money from it, Armenian culture just lost a good font. Virtually nobody capable of contributing something of quality to society says: "I'd like to be compensated doing this, but I'm not allowed... but let me just do it anyway." They either would do it for no compensation to begin with (so the option of making money doing it is no impediment) or would spend the time doing something else! hhp
John Hudson Posted May 19, 2013 Posted May 19, 2013 Vernon: I would like to see an OFL (or OFL like license) that is stronger in it's protection of free fonts from the potential dangers of other designers or foundries taking free fonts (or parts of them) and privatising them. The first of the Permissions and Conditions terms of the OFL license is this: 1) Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself. An OFL font may be bundled with a commercial product, but cannot be sold as a product in itself. I'm not sure what else you mean by 'privatising' free fonts. What is your concern? [When Ralph Hancock and I decided to make our Biblical Hebrew layout model open source, we deliberately avoided the OFL because it prevents utilisation in commercial fonts. We opted for the more liberal MIT license instead.]
hrant Posted May 19, 2013 Posted May 19, 2013 I'm guessing Vernon would like a license that prohibits commercial bundling. BTW what are the differences between MIT and Apache? hhp
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