Member pau… Posted November 6, 2008 Share Posted November 6, 2008 This topic was imported from the Typophile platform I've actually been trying to conceptualize, for several years, a typeface to convey a particular idea (that I don't want to give away just yet) and it recently occurred to me that in order to achieve the desired connotation I'm shooting for, it would be desirable to do create a typeface combining several different aspects, one of which was the paradigm of the brush + a serif font. Once I realized this, I immediately thought of Underware's work and Dolly in particular. To be honest, I can't really think of another brushy serif that isn't compared to Dolly (Dederon often being cited as a clone). Of course I want to avoid aping someone else's work, but it almost seems that when it comes to designing a brush-informed serif typeface it is inevitable that it will be compared to the exemplar of the genre: Dolly. It doesn't seem possible that in the hundreds of years of type that Dolly was the first example of a brushy serif, but I can't think of one that pre-dates it or many other types that would fit into this category. Before I go any further, I'm curious if anyone out there is aware of other serif typefaces that that incorporate the brush-formed structure and still avoid the problem of looking too much like Dolly. Also, is it possible to create a brush serif that avoids Dolly comparisons? Will Dolly, in time, be seen as the father of the genre, much as Johnston's Underground has spawned so many humanist sans typefaces? If you're so inclined, please enlighten me! Link to comment
Member pau… Posted November 6, 2008 Author Share Posted November 6, 2008 hmmm, to me 'brushy' typically involves a bit of plumpness and roundness. maybe the combination of the 3 elements is what makes Dolly? brush + rounded + serif? Link to comment
Member jup… Posted November 6, 2008 Share Posted November 6, 2008 Yes, different kinds of brushes. Link to comment
Member pau… Posted November 6, 2008 Author Share Posted November 6, 2008 I knew there was one from Our Type, thnx Stephen. So we have a few examples, any opinions? Link to comment
Member Mis… Posted November 6, 2008 Share Posted November 6, 2008 I can't find the typeface anymore, but IIRC, there was a brushy serif from a recent KABK grad that reminded me a lot of Dolly. Or was that Reading? No. I'm pretty sure it was KABK. Miguel's Calouste was a brushy serif too. And would you believe I can't find a sample? Edit: Ok. I found a PDF. Link to comment
Member jup… Posted November 6, 2008 Share Posted November 6, 2008 My simple impression is that the whole Transitional area is ripe for new exploration and scholarship, but I'm at the low end of the learning curve. I suspect you are in prime position to make a point Paul. How did you like The Hunger? I had just rewatched that on DVD the previous night. Link to comment
Member pau… Posted November 6, 2008 Author Share Posted November 6, 2008 me? The Hunger? didn't see it, but recently watched Hunger, which was quite interesting... Link to comment
Member Mis… Posted November 6, 2008 Share Posted November 6, 2008 I think Lexicon is brushy too. Doesn't it pre-date Dolly? Link to comment
Member Ste… Posted November 6, 2008 Share Posted November 6, 2008 Yep, good one, Tiff. And Trinité too, though more in a calligraphic Brioso way. Link to comment
Member eli… Posted November 6, 2008 Share Posted November 6, 2008 I'm not sure I follow what you're after - would this count? Link to comment
Member Flo… Posted November 6, 2008 Share Posted November 6, 2008 Theodore by Reading graduate Melanie Duarte:http://www.typefacedesign.org/resources/A5specimen/2008/MelanieDuarte_Th... Link to comment
Member Sup… Posted November 6, 2008 Share Posted November 6, 2008 If there is any typeface to which Dolly would be indebted it would be DTL Dorian... especially in the italics. Dorian is brushy but not buttery soft like Dolly. However, Dolly is no chop-shop counterfeit job. It would be what Tiffany is calling an homage. Gingko mentioned in another thread should not even mentioned in amongst the same company. Dorian came around 1997. Dolly 2001. Also see my very tedious thread:https://typography.guru/forums/topic/49048-forwarding Mikey :-) Link to comment
Member ana… Posted November 6, 2008 Share Posted November 6, 2008 Rumba doesn't feel like a clone of Dolly at all, but has a very brushy feel. I think it's definitely possible to create a brush-inspired serif without cloning Dolly—you can exaggerate thicks and thins and experiment with more eccentric letter forms, which Rumba starts to do. Analisa Link to comment
Member jup… Posted November 6, 2008 Share Posted November 6, 2008 The Dorian Ital is very revealing. Sry, Paul. Bad assumption on the movie. Link to comment
Member Ran… Posted November 6, 2008 Share Posted November 6, 2008 Paul you bring to mind this thread: http://typophile.com/kompilat esp. the italic Can Trajan get a shoutout for an old school brushy serif? Not what you had in mind, but I seem to remember that roman inscriptional lettering was brushed on, then chiseled. Link to comment
Member Ste… Posted November 6, 2008 Share Posted November 6, 2008 Thanks for mentioning Rumba, Analisa. Ashamed I forgot it. Though it may not be part of the same book serif category due to its lack of bold, italic, or small caps. > I seem to remember that roman inscriptional lettering was brushed on, then chiseled. Yep. That was the subject of Paul Shaw's talk at TypeCon08. Link to comment
Member pau… Posted November 7, 2008 Author Share Posted November 7, 2008 hmmm, some of these bring up another aspect that makes Dolly itself, the element of 'structure', especially in the Roman. Some of these other brushy faces, like Rumba, distance themselves from Dolly by incorporating a more eccentric character. That's probably why I didn't think of them to begin with. Also some of this other 'Dutch school' stuff is good to be reminded of. Actually, I should have investigated this area first, because my ideas started coming together when someone referred to Grandia as being 'Reading house style' and I was thinking of what would characterize the 'KABK house style' and thought that it would be this brushy stuff. Then I thought what would happen if I reconciled the two houses and incorporated elements of both in a typeface. Looking at the Kompilat thread actually scares me a bit. I know I looked at it before I started Reading, but I never referred to it when I was Designing Grandia, it must have become engrained in my unconciousness. Yet it's interesting that Ondrej and I made quite a lot of the same design decisions, espeically in the Roman. Thank goodness the italics are more divergent! His roman has a few brush elements (as Does Grandia), but is more calligraphic in general than brush-informed. Interesting, gives me a lot to think on. Thanks for your help, folks. Of course more comments are welcome, if you desire to make any... Link to comment
Member Grr… Posted November 7, 2008 Share Posted November 7, 2008 As Tiffany suggested I think too Lexicon has some things in common with Dolly. And I remember Reading grad Sandra (from her RoP) had to avoid Dolly at some point... Anyway! Paul, I think you just should start designing the idea you've got in mind. Along the way you'll find your on way for a typeface with its own personalities. Stop talking and let's do it! Link to comment
Member pau… Posted November 7, 2008 Author Share Posted November 7, 2008 Actually, I should have investigated this area first, because my ideas started coming together when someone referred to Grandia as being ’Reading house style’ and I was thinking of what would characterize the ’KABK house style’ and thought that it would be this brushy stuff. This is really funny, actually, because Ondre is from the house of KABK. Link to comment
Member pva… Posted November 7, 2008 Share Posted November 7, 2008 I regard Peter Verheul’s work as the main inspiration for a lot of brushy typefaces from The Hague. This can be seen in his typeface Versa which is used throughout the book Dutch Type. An even better example is the precursor to Versa, called Nardy, which he designed in the mid-nineties. Peter Verheul might be relatively unknown to most but he makes innovative and sometimes highly experimental designs and has a good hand for teaching. The origins of this brush style can be attributed to the calligraphic exercises with the flat brush that he teaches at the MA Type & Media. I teach this technique to a group of undergraduate students at the KABK as well. The flexible brush is more difficult to control than the stiff broad-nibbed pen but it also invites playfulness and experimentation. On a different note: I wouldn’t classify Lexicon (1992) as particularly brushy though (Trinité (1979) would suit that title better) but both of Bram de Does’ typefaces have inspired numerous (ex-)KABK students indeed. -Paul van der Laanwww.type-invaders.com BTW: Paul, calling Ondrej “from the house of KABK” doesn’t do him justice, does it? He only started at the MA Type & Media two months ago. All his work shown here on Typophile was made whilst he was still an undergraduate in Bratislava. Link to comment
Member pau… Posted November 7, 2008 Author Share Posted November 7, 2008 WOW! thank you Paul, this is exactly the kind of information that I needed. Okay i'll take my previous comment back. Of course i find it silly to make stereotypical remarks myself, so all this talk of 'Reading style' and 'KABK style' is a bit tounge-in-cheek. I will have to buy some brushes and do some experiments of my own with them. Are there other implements that you experiment with in the courses you teach? I'm ready to start getting my hands dirty in this respect. Link to comment
Member cro… Posted November 7, 2008 Share Posted November 7, 2008 Don't Sauna and Bello also have this quality? Yes, get some brushes but also felt-tip markers, big sloppy ones. I think I would describe this as a Dutch quality after seeing the traits in so many Dutch faces. Brioso also has a "wet-look" but reads more as pen than brush. Can you approach this by choosing a different structure (Modern rather than Renaissance)? For an example of a brushy Clarendon, see Parry (Dutch, once again). Link to comment
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