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Found 20 results

  1. Ralf Herrmann

    The Best Free Serif Font Families

    Thousand of freeware fonts are available today. Here are some which are actually recommendable in the category “serif”. They have a sufficient number of styles, a sufficient (Latin) character set and an acceptable stylistic and technical quality.
  2. Ralf Herrmann

    The best free sans serif font families

    Thousand of freeware fonts are available today. Here are some which are actually recommendable in the category “sans serif”. They have a sufficient number of styles, a sufficient (Latin) character set and an acceptable stylistic and technical quality.
  3. Modern blackletter typefaces or reinterpretations with a contemporary feel.
  4. Ralf Herrmann

    Typical British Fonts

    A selection of fonts usually connected with Great Britain.
  5. Ralf Herrmann

    Typical French Fonts

    A list of well-known type designs with a connection to France.
  6. Ralf Herrmann

    Fairy Tale Fonts

    A selection recommendable decorative fonts suitable for things like fairytale book covers.
  7. Ralf Herrmann

    Typical German fonts

    A collection of recommendable typeface with a connection to Germany.
  8. Ralf Herrmann

    The Best Free Slab Serif Font Families

    Recommendable free slab-serif type families.
  9. Ralf Herrmann

    Today’s Best Futura Alternatives

    Recommendable typefaces as alternatives to Futura. The typefaces presented here can be seen as belonging to the same classification category as Futua (“geometric sans serif”), but each have their own look, aren’t overused (yet) and are chosen because of their overall quality.
  10. Ralf Herrmann

    Emoji Fonts

    Unicode-encoded fonts with support for typical Emoji characters.
  11. Fournier

    Franklin Gothic’s Alternatives

    Recommendable typefaces as alternatives to Franklin Gothic—designed by Morris Fuller Benton. The typefaces presented here can be seen as belonging to the same classification category as Franklin Gothic (“grotesque sans serif”), but each have their own look, aren’t overused (yet) and are chosen because of their overall quality.
  12. Fournier

    Gill Sans’ Alternatives

    Recommendable typefaces as alternatives to Gill Sans—designed by Eric Gill. The typefaces presented here can be seen as belonging to the same classification category as Gill Sans (“humanist sans serif”), but each have their own look, aren’t overused (yet) and are chosen because of their overall quality.
  13. Ralf Herrmann

    Rough Brush Lettering Fonts

    Recommendable typefaces with the appearance of rough brush lettering.
  14. Ralf Herrmann

    The Best Sports and College Fonts

    Fonts with a chunky, masculine appearance, which can be used for sports teams, college t-shirts and things like that.
  15. Ralf Herrmann

    The Best Layer/Chromatic Fonts

    Typefaces which are equipped with multiple layer fonts to be stacked on top of each other to create a multi-color effect.
  16. Ralf Herrmann

    The Best Monolinear Script Fonts

    Ten recommendable script typefaces with a monolinear look.
  17. Ralf Herrmann

    Road Signage Typefaces

    Typefaces used for national road signs.
  18. Ralf Herrmann

    The best Helvetica alternatives

    Recommendable typefaces as alternatives to the overused Helvetica. The typefaces presented here can be seen as belonging to the same classification category as Helvetica (“static sans serif”), but each have their own look and are chosen because of their overall quality (design, number of styles, glyphs and so on). Fonts which are directly related to Helvetica (e.g. Nimbus Sans, Neue Haas Grotesk) or are very similar in their design are deliberately left off the list. It’s about alternatives, not look-alikes.
  19. The Guru

    The best Letterpress Fonts

    Recommendable typefaces with a typical distressed “letterpress look”.
  20. Ralf Herrmann

    Bauhaus Fonts

    Typefaces such as ITC Bauhaus, Blippo or Pump are geometric, but they are not really related to the Bauhaus school. This lists collects typefaces, which are actually connected to the Bauhaus, either because they were used there (such as Scheltersche Grotesk/FF Bau) or are modern interpretations based on work done at the Bauhaus.
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