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Found 6 results

  1. Riccardo Sartori

    Arabic Type 2020: After the Fall

    A new collection of 7 Arabic typefaces from Nadine Chahine’s ArabicType, accompanied by a virtual exhibition.
  2. Riccardo Sartori

    Typeland

    “Typeland is an independent type design studio based in London. We offer retail fonts exclusively through our own website. We also develop custom fonts, and specialise in multi-script design and production.”
  3. Riccardo Sartori

    The typefaces of Georg Salden

    “With a storied career spanning over 60 years and hundreds of original fonts that speak to the aesthetics of an era, type designer Georg Salden is one of the most significant and diverse type designers of our time. Despite much of his work having a lasting influence on type culture, Salden remains relatively unknown internationally – a fact which may be due to his independence as a designer, never having worked for large font foundries.” Now available on LudwigType.
  4. Riccardo Sartori

    Support Independent Type

    A book about the New Culture of Type Specimens “A compendium of contemporary, physical and digital type specimens. The carefully selected work of over 400 font labels and type designers gives you a glimpse into the adventurous shift of this creative industry.”
  5. Do you pronounce Frutiger’s typeface Univers like the English word “universe”? Or Eurostile like “Eurostyle”? Then you got it wrong. Here are over 30 European typefaces and their proper pronunciation in German, French and Italian.
  6. Ralf Herrmann

    The Geometry of Type

    The Geometry of Type explores 100 traditional and modern typefaces in loving detail, with a full spread devoted to each entry. Characters from each typeface are enlarged and annotated to reveal key features, anatomical details, and the finer, often-overlooked elements of type design, which shows how these attributes affect mood and readability. Sidebar information lists the designer and foundry, the year of release and the different weights and styles available, while feature boxes explain the origins and best uses for each typeface, such as whether it is suitable for running text or as a display font for headlines. To help the reader spot each typeface in the wider world, the full character set is shown, and the best letters for identification are highlighted. This beautiful and highly practical work of reference for font spotters, designers and users is a close-up celebration of typefaces and great type design. Typefaces introduced in this book: Adobe Jenson, Cala, Bembo Book, FF Clifford, FF Scala, Lexicon, Minion, Garamond Premier, MVB Verdigris, Adobe Caslon, Baskerville Original, Mrs Eaves, Plantin, Arnhem, Times New Roman, Le Monde Journal, Bauer Bodoni, ITC Bodoni, H&FJ Didot, Filosofia, Farnham, New Century Schoolbook, Miller, Eames Century Modern, Ingeborg, Melior, Neue Swift, Skolar, Fedra Serif, FF Meta Serif, Doko, Luxury Diamond, Albertus, Modesto, Trajan, Berau Grot, Knockout, FF Bau, Univers, Neue Helvetica, Akkurat, National, Antique Olive, Bell Centennial, News Gothic, Benton Sans, Whitney, Futura ND, Avenir, Gotham, ITC Avant Garde, Calibre/Metric, FF DIN, Interstate, Verlag, Klavika, MVB Solano Gothic, Forza, Gill Sans, FF Yoga Sans, Frutiger, Myriad, Verdana, Syntax, Cronos, TheSans, Auto, Optima, Beorcana, FF Meta, Amplitute, Fedra Sans, FF Dax, FF Balance, Giza, Clarendon, Farao, Heron Serif, Archer, Neutraface Slab, Rockwell, PMN Caecilia, FF Unit Slab, Adelle, Freight Micro, Kinescope, Studio Slant, Radio, Bickham Script, Tangier, Suomi Hand Script, Nitti, Ed Interlock, Bree, Rumbe, Trade Gothic Condensed Bold No. 20, Heroic Condensed, Cabazon, SangBleu, Marian
Elfen-Fraktur—a monolinear blackletter typeface
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