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Found 15 results

  1. This is a pop-up book of the alphabet, from A to Z, that I researched, wrote, designed, and paper-engineered. It explains how typography works.
  2. A guide to historic Virgin WT fonts, including those originally made by Empire, American, Acme, and Allied wood type companies.
  3. The first comprehensive biography of one of the most important designers of the 20th century.
  4. A collection of contemporary specimen graphics from indie type foundries around the world, created by the team behind 8 Faces.
  5. “A forgotten design from the 1930s in stunning mid-century lettering style. Let’s bring it back and make it available for free.”
  6. Introducing our one and only pocket size type ruler, also known as a typographic ruler, type guage or a type scale.
  7. Hi all, So we've designed a playing card deck which has Typography theme to it. I would like to know if anyone has had a similar experience and can share some advice whether or not we will be running into any legal issues down the track. This is for a Kickstarter campaign which we are planning to launch soon, which means it is for commercial purposes (but will be a one-time print run). Someone has flagged it with us that we may get sued for this (we'd be getting sued by several font owners if that is the case, which we do not want fall victim to!). What we did: Created font pairings using System Fonts from Windows and Mac operating systems (so no external downloads of fonts was used and we won't be distributing any of these font files either, just the distributing the printed decks if we get funded on Kickstarter). Added the name of the fonts we used for each font pairing (shown at the top and bottom of each card) - see attachment for a photo of the cards. We did do some prior research to check whether if we can use windows or mac fonts for commercial purposes and it didn't appear there would be any issues Windows Fonts https://docs.microsoft.com/en-us/typography/fonts/font-faq Apple Fonts https://discussions.apple.com/thread/7493969 We have even printed the physical mock-ups and created marketing material already, so we'd really be grateful if anyone could shed some light on this, whether it is safe to proceed or ditch and don't risk it. We see it as a reference deck, so we are merely using different fonts and referencing the fonts we used to create those combinations. Thank you in advance!
  8. A collection of books celebrating spectacular typography creations from the past : Alphabet Cities | Monograms | Atlas
  9. A new online platform, which documents all known type specimens—past and present. You can view and download them directly or we will direct you to physical or digital copies in archives around the world.
  10. “The centenary of his birth—June 29, 2020—is the ideal occasion to celebrate his inestimable contribution to the discipline by reprinting Alfa-Beta, his landmark 1964 book on the history of writing systems and the evolution of type.”
  11. After the successful Kickstarter campaign, the revival of the blackletter font Wiking was now finished and is available for free to anyone under the Open Font License.
  12. A book about the New Culture of Type Specimens “A compendium of contemporary, physical and digital type specimens. The carefully selected work of over 400 font labels and type designers gives you a glimpse into the adventurous shift of this creative industry.”
  13. “I have built a new Font and in order to develop looking for backers on kickstarter to take this project to a finalised typeface.”
  14. “The Wiking font was designed by Heinz König and published in 1925 by the type foundry J. D. Trennert & Sohn in Hamburg. This unique and contemporary blackletter design has never been professionally revived. But you can help make it happen. If this campaign reaches it funding goal, a careful and complete digitization of the font will be created from the original letterpress font and offered for free under the Open Font License.”
  15. “For its third book, Letterform Archive is proud to announce Only on Saturday, a stunning tribute to Jack Stauffacher, a letterpress printer, typographer, and designer whose elegant and innovative type treatments cemented his reputation as one of the best printers of the twentieth century.”
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